East Van Panto: West Van Story gets an extended run thanks to overwhelming popularity
Theatre Replacement’s nearly sold-out holiday tradition continues at The Cultch’s York Theatre to January 11
East Van Panto: West Van Story. Photo by Emily Cooper
WEST VAN CURLER Holly and her love interest, East Van bowler Joes, are sticking around for an extra week of hilarious performances this holiday season.
The main characters in Theatre Replacement’s raucous East Van Panto: West Van Story hit The Cultch’s York Theatre last week, and because of overwhelming demand, the show is getting held over. Originally set to run from November 21 to January 4, 2026, the Panto will now see additional performances on January 8 and 9 at 7 pm, January 10 at 2 pm and 7 pm, and January 11 at 2 pm.
When Stir reviewed the Panto’s opening, we shared that it “excels at chaotically grand musical numbers, undercut with biting satire, shameless kid-friendly silliness, and adult-friendly subversive politics.” Dawn Petten absolutely nails her role as megadeveloper Boberta Rainy, the prissy, power-suit-wearing villain of the show who’s hell-bent on erecting condo towers across the East Side; and Tom Pickett brings levity to the Panto as the delightful Evie, an anthropomorphized East Van Cross.
This year’s East Van Panto was written by Marcus Youssef and Pedro Chamale, and riffs on both Romeo and Juliet and West Side Story. In our interview with the pair of playwrights here, long-time East Van resident Youssef noted that the production doesn’t pick favourites when it comes to poking fun at Vancouver’s age-old East-West rivalry.
“I think the responsibility of any good satire—and the Panto is family-friendly satire in my mind—is to point the satire at ourselves as well,” Youssef said. “Satire that only satirizes who we all might consider ‘the other’ isn’t interesting to me.”
Over 16,000 people see the East Van Panto annually, and tickets for the main run are nearly sold out—grab ’em while you still can. ![]()
Stir editorial assistant Emily Lyth is a Vancouver-based writer and editor who graduated from Langara College’s Journalism program. Her decade of dance training and passion for all things food-related are the foundation of her love for telling arts, culture, and community stories.
Related Articles
With its lease coming up in 2029 on land owned by Scotiabank, the future of the dance hub had been uncertain
Lee Hall’s stage adaptation of the well-known screenplay revels in what we think we know about the most famous playwright of all time
At the Firehall Arts Centre, Marlene Ginader’s comedic solo show sinks its teeth into media myths fuelled by true crime
Play written and directed by Valerie Methot in collaboration with diverse Metro Vancouver youth makes its world premiere
Lisa Horner plays a 16-year-old girl whose rare genetic condition gives her the appearance of a 72-year-old woman
Running June 19 to July 5, event also unveils Performance Works Series that includes Haleluya Hailu Plays Ethiopia and Stranger Friends Orchestra with Fredrik Ljungkvist
At The Cultch’s York Theatre, the acclaimed writer and director turns to genre-blending Indigenous practices to open new perspectives on identity, land claims, and hope
Working from Kat Sandler’s darkly witty script, Synthia Yusuf and Nathan Kay range from sweet and innocent to defiant and dangerous
The Vetta Chamber Music artistic director has a long, celebrated career in chamber, orchestral, and solo work
In their wickedly witty solo show at the Firehall Arts Centre, writer-actor Marlene Ginader and director Jenna Rodgers satirize the white-male-dominated world of the serial killer
In Alissa Watson’s adaptation of the beloved Robert Munsch book, Princess Elizabeth must rescue Prince Ronald from a Dragon
Pi Theatre show at Vines Den is Munish Sharma’s personal look at Bollywood, masculinity, and more
Fairy-tale adventure based on the 2001 DreamWorks Animation film is equal parts heartwarming and hilarious
Ojibway playwright Drew Hayden Taylor delivers a story about the world of counterfeit Indigenous art
At Gateway Theatre, Vancouver actor Synthia Yusuf delves into a Kat Sandler play that takes refreshing risks with the history behind the “Beauty and the Beast” folk tale
Montreal’s Compagnie Catherine Gaudet to kick off five-show lineup that brings in companies from as far away as Sweden and India
At The Cultch, The Search Party play’s strong performances, dry wit, and inventive staging capture the disorientation of addiction and the stories we tell ourselves about it
Story follows the passionate affair between penniless playwright Will and beautiful young woman Viola de Lesseps
Cyborg teenagers struggle with the same fears about technology that their human counterparts do in this visually spare, idea-charged production by UBC Theatre
Based on an early Agatha Christie story, the play focuses on a woman’s impulsive marriage to a charming mystery man
Multifaceted theatremakers Munish Sharma and Gavan Cheema bring an eight-year-long project to completion by working beyond stage conventions
