Theatre
Lisa Horner plays a 16-year-old girl whose rare genetic condition gives her the appearance of a 72-year-old woman
At The Cultch’s York Theatre, the acclaimed writer and director turns to genre-blending Indigenous practices to open new perspectives on identity, land claims, and hope
Working from Kat Sandler’s darkly witty script, Synthia Yusuf and Nathan Kay range from sweet and innocent to defiant and dangerous
Lisa Horner plays a 16-year-old girl whose rare genetic condition gives her the appearance of a 72-year-old woman
At The Cultch’s York Theatre, the acclaimed writer and director turns to genre-blending Indigenous practices to open new perspectives on identity, land claims, and hope
Working from Kat Sandler’s darkly witty script, Synthia Yusuf and Nathan Kay range from sweet and innocent to defiant and dangerous
In their wickedly witty solo show at the Firehall Arts Centre, writer-actor Marlene Ginader and director Jenna Rodgers satirize the white-male-dominated world of the serial killer
In Alissa Watson’s adaptation of the beloved Robert Munsch book, Princess Elizabeth must rescue Prince Ronald from a Dragon
Pi Theatre show at Vines Den is Munish Sharma’s personal look at Bollywood, masculinity, and more
Fairy-tale adventure based on the 2001 DreamWorks Animation film is equal parts heartwarming and hilarious
Ojibway playwright Drew Hayden Taylor delivers a story about the world of counterfeit Indigenous art
At Gateway Theatre, Vancouver actor Synthia Yusuf delves into a Kat Sandler play that takes refreshing risks with the history behind the “Beauty and the Beast” folk tale
At The Cultch, The Search Party play’s strong performances, dry wit, and inventive staging capture the disorientation of addiction and the stories we tell ourselves about it
Story follows the passionate affair between penniless playwright Will and beautiful young woman Viola de Lesseps
Cyborg teenagers struggle with the same fears about technology that their human counterparts do in this visually spare, idea-charged production by UBC Theatre
Based on an early Agatha Christie story, the play focuses on a woman’s impulsive marriage to a charming mystery man
Multifaceted theatremakers Munish Sharma and Gavan Cheema bring an eight-year-long project to completion by working beyond stage conventions
Actor Brian Markinson says Lloyd Suh’s script takes artistic liberties with the life of Benjamin Franklin
With warped sitcom rhythms, Caroline Bélisle’s new play brings together two old friends to contend with contemporary ambivalence about bringing children into the world
Eighty shows in all, as Italy’s Teatro Telaio sets up an ARCHIPELAGO installation, plus pow-wow, hip-hop, and massive puppets
Award-winning play by Susanna Fournier offers an unsettling, witty update of fairy-tale themes as old as Pinocchio and the Pied Piper
Provocative solo show follows a woman who’s focused on fixing the lack of diversity in the serial-killer space
In the Theatre Conspiracy production copresented by Touchstone Theatre, a South Asian man finds self-expression through dance
Director Mindy Parfitt finds inspiration with local implications in the darkness, wit, and honesty of Duncan Macmillan’s acclaimed play
In the endearing new Metro Theatre production, a five-sister team of performers creates an exceptionally strong and funny ensemble
Arts Club production centres a married couple that recounts the good, the bad, and the ugly of spending 50 years together
Care of Théâtre la Seizième, the work examines how female friendships must adapt to the pressure of raising a new life
Based on the true story that inspired Beauty and the Beast, play centres Catherine de Medici and the man who awakens her wild side
Next season includes high-camp spoof Dracula: A Comedy of Terrors, Tracey Power’s premiere The Elvis Christmas Comeback Special, and the newly named Lindsay Family Stage
On Our Feet staged reading captures the slow-burning suspense of the famed author’s psychological thriller
One-woman show draws on Marguerite Duras’s novel to tell the story of a French mother in 1930s Indochina
Tracey Power’s musical revue poses open-ended questions at the Firehall Arts Centre
In Hannah Moscovitch’s spare, blunt two-hander at The Cultch, tension lives not only in what is being said, but in how it is being said and who is saying it
