Advance Theatre Festival is back at the Shadbolt Centre for the Arts until January 31
Ruby Slippers Theatre presents five staged readings of works by IPBOC playwrights, including Damion LeClair’s Rougarou, Carmen Aguirre’s The Consent Club, and more

Damion LeClair’s Rougarou. Photo by Emily Cooper
Ruby Slippers Theatre, in association with the Shadbolt Centre for the Arts and Playwrights Guild of Canada, presents Advance Theatre Festival to January 31 at the Shadbolt Centre for the Arts
FIVE STAGED READINGS will take place over the next five days as part of Advance Theatre Festival: Advancing the Radically Inclusive Stage, an annual showcase of works by IPBOC playwrights presented by Ruby Slippers Theatre.
The festival kicks off on January 27 with Hair Hair Everywhere by playwright Sarvin Esmaeili, a play which digs into the roots of anti-body hair culture and beauty standards while uplifting Persian femme bodies. Designed to include shadow puppetry, sound scores, and dialogue in both Farsi and English, the play introduces audiences to Shabnam’s head hair, armpit hair, and leg hair, offering a different perspective around the idea of shaving.
A reading of Damion LeClair’s Rougarou, a play based on Métis legend that centres Renee’s harrowing search for their missing sister along Highway 16, takes place on January 28. The following night on January 29, there’s the collaboratively created From This Side of the End by Kate Besworth, Ming Hudson, Charlie Gallant, Kaitlyn Yott, Olivia Hutt, Baraka Rahmani, and Agnes Tong; it follows four young people who must face an onslaught of apocalyptic events—everything from floods and fires to a zombie outbreak—as they cross a Canadian landscape.
On January 30, Faly Mevamanana’s The Baking Show Show: The Play chronicles a woman’s extreme obsession with claiming the title of Great Canadian Baker. And on January 31, the festival concludes with Carmen Aguirre’s The Consent Club, a satirical take on Molière’s The Learned Ladies that unfolds on a North American university campus.
Readings will take place at 7:30 pm each night at the Shadbolt Centre for the Arts in the Studio 103 Recital Hall.
Stir editorial assistant Emily Lyth is a Vancouver-based writer and editor who graduated from Langara College’s Journalism program. Her decade of dance training and passion for all things food-related are the foundation of her love for telling arts, culture, and community stories.
Related Articles
At the Firehall Arts Centre, Cree theatre artist journeys through her childhood memories, incorporating cheeky crowd work
All-ages show by Cause & Effect Circus incorporates high-level skills, inventive lighting, and fun sound effects
Justin Anthony directs the show about a group of survivors navigating the aftermath of a cataclysmic event
Howard Dai’s Dream Machine pulls inspiration from Taiwanese game shows, while Paige Louter’s Nod acknowledges chronic fatigue
1 Santosh Santosh 2 Go touches on the model minority myth with hilarity and heart
Set in Pacific Theatre’s activity room, play by Katherine Gauthier leans into realism with depth of character and lasting intensity
Newest production to feature Sound the Alarm’s lineup of seasoned singers mines soundtracks of Disney and Hollywood classics
The violinist’s Fantasy Vignettes interweaves Baroque music, costume changes, and sewing machines
On the BMO Mainstage, director Dean Paul Gibson puts an ’80s spin on this resonant tale of young love
Aussie troupe Gravity & Other Myths’ stripped-down spectacle has been a hit around the world
In Hair Hair Everywhere, Shabnam debates whether or not she should shave
In girl power–fuelled show, performers channel sounds of Beyoncé, Lily Allen, and more in turning the tables on doomed relationships
In Inner Elder at the Firehall Arts Centre, the Calgary-based theatre veteran draws on more than three decades of Indigenous clowning experience
Moving into ambitious new territory, the company meets the many challenges of the Broadway classic and its still-relevant message
Arts Club play edges true-life story of Princess Di hospice visit into unexpected transcendent realm
All is not as it seems as two of Shakespeare’s most tumultuous couples navigate secret love and mistaken identities
With its flared costumes and feisty performances, Metro Theatre’s production of a Rice and Lloyd Webber favourite offers a quirkily fun tour of musical genres
As storylines switch between playwrights and the characters they’ve created, this challenging Zee Zee Theatre production spotlights hidden disparities separating two best friends
Fast-rising Filipino-Canadian actor and singer-songwriter takes the titular role in a rendition set in a 1970s variety show
The transition follows her departure from Music on Main, where she served as artistic planning and operations manager for seven years
Playwright Katherine Gauthier’s fly-on-the-wall production at Pacific Theatre follows five people in a group therapy session as they exchange intimate thoughts