Another Body takes a chilling look at deepfake technology, at the Cinematheque November 15
Following one engineering student’s experience, the documentary takes a close look at the personal fallout from the growing form of online harrassment

Another Body screens at the Cinematheque on November 15 at 7 pm, with a post-screening discussion with Dr. Jason Winters, Dr. Carolin Klein, Honourable Niki Sharma, Attorney General of British Columbia, and (via Zoom) Another Body co-director Reuben Hamlyn
HERE’S AN ETHICAL conundrum: how do you make a documentary about someone whose life has been turned upside down by deepfake technology—to be specific, whose face has been digitally pasted to the bodies of numerous porn stars? If you film and identify the person, you risk making their situation worse.
In the case of the fascinating and chilling new documentary Another Body, seeing its world premiere at the Cinematheque, the answer is simple: you use that same technology to protect the person’s identity. That allows filmmakers Sophie Compton and Reuben Hamlyn to capture the personal side of a fast-growing corner of the internet.
“Taylor Klein” is an engineering student who takes matters into her own hands when police find themselves unable to protect her from an anonymous bully who’s been attaching her face, and all her identifying details (her school, her hometown) on Pornhub and elsewhere. Working with a friend who’s also been victimized, she begins her own investigation into who from their past could be terrorizing them from the shadows. And what she finds, sadly, is a vast, creepy underground culture of misogynists who share how-tos on deepfake technology—and even take on paid commissions from others. As you might expect, the women’s presence in a male-dominated field plays into the mystery.
The film makes it clear the law has much catching-up to do with a weapon of pornography that’s already wreaking havoc; it seems that, legally, the system only cares whether it’s your body in the video or not.
The film offers a compelling mix of intimate video diaries, digitally-generated re-enactments, and expert interviews. In the end what stays with you, though, is the courage of the women who take on the internet here—and the fact that they find strength in numbers fighting what seems, at first anyway, to be an untraceable assailant.
Janet Smith is cofounder and editorial director of Stir. She is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
Sweeping biopic returns with nostalgic songs and atmospheric cinematography
Second-annual event opens with Mahesh Pailoor’s Paper Flowers and closes with Enrique Vázquez’s Firma Aquí (Sign Here)
A Real Pain’s Jesse Eisenberg and Anora’s Sean Baker among international award-winners to send in acceptance videos for event at VIFF Centre
At The Spirit of Adventure opening event, the film “The Beginning” captures the Squamish resident’s record-breaking feat at Goat Ridge
Korean-born, B.C.-raised filmmaker’s Maple Ridge-shot first feature centres around a Korean family struggling with grief
Program opens with Charles Aznavour biopic Monsieur Aznavour and closes with Antoine de Saint-Exupéry tribute Saint-Exupéry
At the Orpheum, biologist Doug Smith shares stories from reintroducing the animals back into the national park and observing their complex behaviours
Opening La Tournée Québec Cinéma, nostalgic comedy mixes with church abuse of power in a Montreal neighbourhood
The two join nearly 60 artists from around the globe at the New York laboratory for the arts
Titles span music documentary Play It Loud featuring Jamaican-born Canadian singer Jay Douglas, 1974 Afrofuturist film Space is the Place, and beyond
Touring French film festival brings three titles to Alliance Française Vancouver with special guests Éric Bruneau and Yan Lanouette Turgeon
Stunning performances in dreamily shot ode to women cast aside as Sin City leaves the rhinestone era
Romantic locales, witty repartee, and entrancing music in biopic about “France’s Frank Sinatra”
New NFB release by Newfoundland and Labrador filmmaker Justin Simms raises many questions about parenting in the era of Donald Trump and Andrew Tate
Transfixing acting and big ideas as film tracks an architect-refugee trying to rebuild in the U.S.
The former executive producer at the National Film Board of Canada believed in the power of documentary filmmaking to drive social change
Subplot tangents and heightened acting as Spanish auteur takes stylized work in a more sombre direction
Emerging filmmakers Kuntal Patel, Amit Dhuga, and Amarnath Sankar will receive mentorship from Vinay Giridhar, Sean Farnel, and King Louie Palomo
Minimalistic Montreal documentary follows renters interviewing fellow roommates, with revealing results
The fiercely feminist film is shot with dreamlike beauty, often at night, in story of love and longing
Part detective story, part art-history rethink, documentary travels from B.C.and Alaska to Paris to find stunning Kwakwa̱ka̱ʼwakw and Yup’ik works that influenced Surrealists
Challengers and The Monk and the Gun kick off holiday big-screen series
Thelma & Louise and Umbrellas of Cherbourg are part of the theatre’s Essential Big Screen 2024 series
Audiences can watch the beloved Christmas film on the big screen while musicians perform John Debney’s original score live
Everything is heightened in Joshua Oppenheimer’s chilling parody of privilege and willful ignorance
Persistent smiles and anguish; geometric interiors and painstaking compositions in Japanese director’s well- and lesser-known films
Really Happy Someday wins Borsos Award for best Canadian feature film