Bard on the Beach announces casting change for Hamlet and Twelfth Night in final month of festival, to September 21
The scheduled shift sees Chirag Naik take over for Nadeem Phillip Umar Khitab in the tragedy, and the role of Valentine in the comedy

Chirag Naik.
STILL RUNNING UNTIL September 21, Bard on the Beach Shakespeare Festival has announced a planned casting change for both Hamlet and Twelfth Night.
Beginning September 1, the titular role in Hamlet will be played by Chirag Naik, who is replacing Nadeem Phillip Umar Khitab. Naik will also be taking over the role of Valentine in Twelfth Night.
Naik, who has appeared in past Bard shows, will bring a new interpretation to the roles. The change is due to the timing of an existing contract of Khitab’s.
In Stephen Drover’s gutsy production of Hamlet, there are omnipresent paparazzi, dance interludes, and kaleidoscopic lights. “In Drover’s hands, this modern-day adaptation of Hamlet becomes emotionally accessible without sacrificing the classic’s enduring impact, and even brings some new, darkly comedic flourishes out to play,” writes Stir theatre critic Angie Rico.
Twelfth Night, directed by Diana Donnelly, meanwhile, has a reimagined circus setting and a pitch-perfect cast that digs into the production’s tomfoolery, original songs, and carnival whimsy.
Find tickets and more season information here.
Gail Johnson is cofounder and associate editor of Stir. She is a Vancouver-based journalist who has earned local and national nominations and awards for her work. She is a certified Gladue Report writer via Indigenous Perspectives Society in partnership with Royal Roads University and is a member of a judging panel for top Vancouver restaurants.
Related Articles
A trio of strong actors make sure some of the most understated moments wind up being the most poignant in this Touchstone Theatre production
Niall McNeil’s new play draws on his love of Disney’s fairy-tale flick and his life as an artist with Down Syndrome
Backed by re-creations of famous looks and moves, Jayna Elise’s strong voice drives an eerily believable portrayal of the Queen of Rock ’n’ Roll
Belgian dance-theatre company invites audiences on a thrilling and disorienting journey into the subconscious
In her vibrant new show, the Vancouver singer illuminates and performs the timeless, barrier-breaking music that built Berry Gordy’s sonic empire
Like his perennial hit Kim’s Convenience, new work by the acclaimed writer and actor reflects on Asian Canadian identity with fearless humour
At the Arts Club, actor Susinn McFarlen plays 63-year-old Dorothy, who travels to Burning Man after losing her husband
Blending musical theatre with traditional Indigenous forms, writer-director Corey Payette creates a depiction of residential schools that keeps growing in importance
In partnership with the Talking Stick Festival, Neworld Theatre’s surround-sound audio production draws on traditional Anishinaabe stories
Adaptation of the original Broadway production journeys through different eras of the Man in Black’s life and music
Presented by The Cultch, this vivid play taps into Disney and Cocteau with an enchanting combination of theatre, dance, and visual art
Kate Hamill’s adaptation of Jane Austen’s classic novel follows the outspoken Elizabeth Bennet and remarkably ubiquitous Mr. Darcy
In the palm of her hand, Ingrid Hansen performs cheeky puppet vignettes which are then projected onto a huge screen
Pulitzer Prize finalist Dance Nation headlines the festival, which features fierce and funny works of theatre, comedy, and circus
Catherine Morrison directs Joseph Kesselring’s 1941 comedy that mixes Hollywood charm with dark humour
Arts Club’s high-energy production revives golden age of rock music while reckoning with painful history that refuses to remain silent
In Catherine Léger’s theatre adaptation of a beloved 1970 Québécois film, two neglected stay-at-home moms begin a series of sexual affairs
Touchstone Theatre presents acclaimed writer Anosh Irani’s play about isolation and brotherhood
Speculative-fiction play written by David Mott questions what it means to love in a dystopian digital age
The musical marks a meaningful—and often moving—departure for a Métis actor better known for standup, music, and comedy work
Original cast members Joey Lespérance and France Perras star in this story about an artistic awakening
United Players of Vancouver, in association with Ruby Slippers Theatre, presents the show about two dissatisfied moms who seduce a string of lovers
With its anonymous playwright, the Pi Theatre production faces the unease and violence beneath Hong Kong’s bustling surface
Nlaka’pamux playwright Kevin Loring mines stereotypes for sharp comedy and dark insights on an absurd world
Through songs and stories, the mind behind Kim’s Convenience riffs on Bible stories, his creative process, and growing up in a Korean church
Travis Abels’s work is a guest production by Vancouver Fringe Festival
Well-realized characters help Agatha Christie tale slow-build suspense
Performances in store range from the breathtaking acrobatics of Kalabanté Productions to a life-sized puppet in Where Have All the Buffalo Gone?
From a Pulitzer finalist about pre-teen competitive dancers to a masterclass in Hong Kong food, there’s plenty to dive into this season
One-woman solo show follows the creator’s own near-death experiences, from her childhood in the Bronx to travels in Israel, Asia, and South America