Packed with big laughs and biting humour, Fat Joke is willing to go there, at the Anvil Theatre January 31 to February 2
Part illustrated lecture, part standup comedy, Cheyenne Rouleau’s show rips into fat shaming
Neworld Theatre’s Fat Joke is at the Anvil Theatre from January 31 to February 2
THEATRE SCHOOLS, THE BMI, and casting auditions: nothing is out of bounds in Cheyenne Rouleau’s enjoyable and thought-provoking Fat Joke, a show that flips easily between sharp laughs and darker reflections.
If you missed the Cultch premiere of this one-person mix of mashup of standup comedy, theatrical monologue, and illustrated TED X Talk (redubbed here “TEDXXXXL Talk”), you’re in luck: it’s returning for a brief run at the Anvil Theatre in New Westminster. And after seeing it, you might not see issues around weight and fatphobia ever in the same way again. (You can read Stir’s review of it here.)
Bouncing between such pop-culture touchstones as Winnie the Pooh, Mr. Snuffleupagus, the Hamburglar, and Jared from Subway, Rouleau also digs into some damning research and some brutally honest anecdotes—think cringe-inducing casting calls and the trauma of being picked last in gym class.
A note that Rouleau and her team are part of a growing movement using the word “fat” as a simple descriptive, akin to adjectives like “short” or “tall”; it’s becoming a term of political protest that fights against the medicalization of fatness as a disease.
And political this show is—but never dauntingly so. Some of the biggest laughs involve pun counters, as well as elaborate flow charts that explain how to react to problematic jokes. They’re hilarious, but also a nod to how uncomfortable we are about talking about this subject matter—and how revolutionary Rouleau’s show actually is.
Janet Smith is cofounder and editorial director of Stir. She is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
Part illustrated lecture, part standup comedy, Cheyenne Rouleau’s show rips into fat shaming
The family-friendly piece by Quebec’s L’eau du bain theatre company is an immersive experience
Production by Theatre Conspiracy and Pandemic Theatre sheds light on the treacherous journey faced by asylum seekers crossing the Aegean Sea
The performance centres on a live cooking demonstration to explore the colonial history of the Philippines
The latest installment in the company’s ÉCHO(S): staged readings series is coproduced by Pi Theatre
The multimedia documentary-style work interweaves personal stories with historical, political, and sociological facts
West Coast premiere of Frances Koncan’s powerful play offers a satirical take on the Canadian fur trade
New twist on a classic ballet is full of beauty and wit, breaking new ground for the Aussie modern-circus troupe
Heartwarming, hilarious play is presented in association with the Shadbolt Centre for the Arts, Presentation House Theatre, and Blackout Art Society
Production by L’eau du bain theatre company follows the friendship of two young girls in an endless Norwegian winter
Based on the 1844 novel by Alexandre Dumas, Arts Club Theatre Company and Citadel Theatre coproduction is full of heroism, passion, and adventure
Tagalog play translated, adapted, and performed by Carmela Sison investigates the effects of global imperialism on food preparation
Neworld Theatre’s one-woman production mixes stand-up comedy and storytelling in an unapologetic dissection of fatphobia
Steffanie Davis returns to the stage as Isabelle, a millennial reimagining of hopeless romantic Cyrano de Bergerac
Random scenes and songs that stood out across music, theatre, opera, and dance
At the Little Mountain Gallery, improvisers draw on Shakespeare plays to craft an all-new tragedy
Pantos, waltzes, and stage musicals are just a few of the ways for culture vultures to ring in 2025
The UBC Masters alumnus and Philippines stage leader helmed the Arts Club’s Million Dollar Quartet, Beneath Springhill, and Dolly Parton’s Smoky Mountain Christmas Carol
Chaotic farce by Canada’s most-produced playwright follows a furniture-store owner caught in a compromising position
A smart revolving set and some smashing choreography keep this family musical moving
Metro Theatre’s holiday production brims with over-the-top moments and laugh-out-loud humour
The production proves why pantomime is such a popular artform in the U.K.
Earlier this year, a successful 40th anniversary fundraiser helped pull the organization out of financial uncertainty
Kate Braidwood and Andrew Phoenix’s holiday favourite reinvents the classic Charles Dickens novel as a physical-theatre show
Vancouver Fringe Festival presents the show about Medusa, one of mythology’s most misunderstood figures
The organization had been raising funds and awareness for those living with HIV/AIDS since 1991
Timeless adaptation of Charles Dickens novel follows a young orphan who dreams of finding a family
Playwright-actor Camille Paré-Poirier uses recordings of the pair’s conversations in her new play coming to Théâtre la Seizième
“Jingle Bell Rock”, “Holly Jolly Christmas”, and “I’ll Be Home for Christmas” are among the festive tunes the crooners crank out
Donna Spencer directs Ann Mortifee’s family musical