At Matriarchs Uprising, Indigenous women dance stories of transformation, February 17 to 22
Annual festival presented by O.Dela Arts and The Dance Centre features world premieres from Raven Spirit Dance and Māori choreographer Bella Waru
O.Dela Arts is presenting the seventh edition of Matriarchs Uprising, a celebration of contemporary dance by Indigenous women artists, in partnership with The Dance Centre from February 17 to 22. Four unique live-performance programs at the Scotiabank Dance Centre are on offer, along with artist-led conversations, masterclasses, community workshops, and the Indigi-Dance on-demand film series.
Curated by Olivia C. Davies, the 2025 lineup features dance works which adhere to the theme Celebrating Our Strength. The women artists at the festival draw upon the Anishinaabe Seven Grandfather Teachings: those who live in love; have courage; are humble; show respect; are truthful; are honest; and are wise.
The festival’s live performances open on February 19 at 7 pm with the premiere of Tracing Bones, Raven Spirit Dance’s latest creation. The work offers reflections on how memories can be held onto, tucked away, forgotten, or transformed over time. Directly afterwards, Friday Creeations presents the Western Canada premiere of Bawaajgun: Visions IN Dreams, created in collaboration with champion hoop dancer Beany John and Christine Friday. The piece combines traditional and contemporary styles, drawing on the transformative spirit of dance in connection to ancestors, dreams, blood memory, and the land.
On February 20 at 7 pm, O.Dela Arts’s artistic associates share a program of new works, including Samantha Sutherland’s ensemble piece naⱡa and all roads lead home 3.0 by Sophie Dow. Lara Kramer returns to Vancouver on February 21 at 8 pm with Gorgeous Tongue, an embodiment of stories, dreams, and songs performed by Nêhiyaw and Métis dance artist Jeanette Kotowich.
The festival closing event on February 22 features the world premiere of TOA III by Māori choreographer Bella Waru (supported by Creative Australia and CultureLAB at Arts House), followed by a reception with live music from Tsimka Martin and Michael Red. In TOA III, three Māori artists and practitioners of Mau Rākau—Māori martial arts—draw on embodied knowledge in a fight to carry legacy.
An additional performance program, Gathering Hope Residency: Public Sharing, takes place at Morrow on February 21 at 2 pm with the support of Odd Meridian Arts.
Matriarchs Uprising tickets and more information about this year’s lineup can be found here.
Post sponsored by O.Dela Arts.
Related Articles
Annual festival presented by O.Dela Arts and The Dance Centre features world premieres from Raven Spirit Dance and Māori choreographer Bella Waru
The uncategorizable new work at the Firehall Arts Centre feels by turns like an intimate conversation, an ode to Vancouver’s dance history, and a guide to life
The Colombian-born, Montreal-based choreographer takes a radical approach to movement
New twist on a classic ballet is full of beauty and wit, breaking new ground for the Aussie modern-circus troupe
Belle Spirale Dance Projects and the Campbell Kahre Varty Trio collaborate on the intimate performance
Twelve emerging dance artists choreograph and perform a group piece guided by the theme of “shifting identities”
Italian-born, Denmark-based dance artist Mirko Guido opens event with hybrid of movement, sculptures, and sound performance
Choreographer Bengt Jörgen reimagines the timeless fairy tale set to Tchaikovsky’s original 1890 score
Montreal’s Andrea Peña & Artists construct a brutalist landscape inspired by Colombia’s political and spiritual heritage
At the Firehall Arts Centre, the 64-year-old soloist interweaves storytelling and video to explore his past and present
Aspiring local dancers have the chance to follow in the footsteps of seven B.C. artists who just finished touring Nutcracker with the company
Random scenes and songs that stood out across music, theatre, opera, and dance
Dancer-choreographer Joe Laughlin reflects on four decades of performances in emotional exploration of aging
The director of Action at a Distance joins Ballet Edmonton and Eric Cheung in receiving the honour and cash award
The classic production features the Kingdom of the Sweets, the Sugar Plum Fairy, the evil Mouse King, and more
Rising Victoria-raised star never saw the Tchaikovsky classic until he was 20—and now jetés between seven roles
Eclectic cabaret of 12 short dance pieces unfolds on an intimate 10-by-12-foot stage that turns minimal space into a magical canvas
The annual show is a highlight on the seasonal cultural calendar
Performing-arts series produced by Theatre Replacement and Company 605 spans a live cake tasting, an ode to an Indigenous matriarch, and beyond
Exhilarating show reimagines Swan Lake as a cheeky acrobatic spectacle in B.C. premiere at the Vancouver Playhouse
With 25 performances, it’s the first event under the new leadership of Deanna Peters and Victor Tran