Rumble Theatre showcases innovative Tremors Festival, May 18 to 28
Event hosted every two years returns with five stunning works
SPONSORED POST BY Rumble Theatre
Firas Nassri, Sasha Theodora, and Jonathan Hardy’s The ghosts within us/les fantômes qui nous habitent.
Rumble Theatre is hosting their biennial Tremors Festival live at Progress Lab 1422 from May 18 to 28. With a focus on exploring new visions for live connection through the arts, this year’s festival will present five multidisciplinary works from across Canada.
Mainstage performances will take place from May 18 to 20, with a unique vibe that emulates an art party meets night market. The pieces resonate with interconnectedness, and delve into the impact of spirit across world views.
Samantha Walters’s Order of the New Hyphae is an immersive, devised performance that reconstructs ecological thought and post-human spiritualities through the lens of an apocalyptic fungi cult.
Combining scripted material and improvisation, Jeff D’Hondt’s The Knoll is a ghost story and therapy simulation in which a son remembers his father, Norfolk County’s most infamous mischiefmaker. The semi-autobiographical performance contrasts Indigenous and non-Indigenous understandings of being haunted by people and places we miss.
From the creative mind of B’atz’ Recinos bursts TAOS (The Art of Storytelling), a new multidisciplinary work infusing Indigenous (Abya Yala) traditions with current cultural aesthetics. The piece brings audiences on a theatrical journey through allegory and myth.
In The Fresh Prince of Egypt, David Kaye paves the way with an irreverent mash-up of Jewish tradition and hip hop storytelling.
David Kaye in The Fresh Prince of Egypt. Photo by Zuckermann Wong