Theatre Conspiracy premieres Same Difference at the Shadbolt, April 19 to 23
Immersive mixed-media installation and digital performance examines identity and belonging
Theatre Conspiracy presents the world premiere of Same Difference at the Shadbolt Centre for the Arts from April 19 to 23
MIRRORS, IMMERSIVE PROJECTION, and surround sound bathe and sometimes plunge audiences into new cognitive and spacial perspectives in Theatre Conspiracy’s Same Difference.
The mixed-media installation and digital performance led by David Mesiha looks at themes of identity and belonging.
Drawing on experiences of immigrants and refugees, the piece aims to invite audiences to deconstruct perceptions of identities, individuality, differences, and sameness in an ever-shifting environment of mirrors, music, and video imagery.
“As an immigrant I have often been aware that I perpetually exist in-between worlds, cultures, languages and spaces never fully belonging to or feeling whole within one space or another,” Mesiha says in a release. “I wondered if identity is essentially characterized in difference. Same Difference evolved as my pursuit to understand how we evolve a sense of self and belonging. The experience is a meditation on a sense of fracturing that emerges when we exist in-between spaces.”
More information is at www.burnaby.ca/recreation-and-arts/events/same-difference.
Related Articles
Based on Rodney DeCroo’s body of work, Butcher Shop Collective show encompasses poetry, music, and shadow puppetry at the Shadbolt
Intimate account of caregiving told in French with English surtitles centres a young woman’s last conversations with her grandmother
Programming includes world premieres from Chimerik 似不像 and rice & beans theatre, BOGOTÁ by Andrea Peña & Artists, and beyond
New musical retells Love’s Labour’s Lost with an intentionally silly plot about a dictator, a track and field team, and mistaken identities
Seasonal standouts include a massive choral Messiah, and different takes on A Christmas Carol—including one with 10-foot-high puppets
Gender-inclusive reimagining of the Eurydice and Orpheus story has dazzling visuals and soaring operatic voices
The Arts Club Theatre Company’s musical is set in the megastar’s birthplace of East Tennessee
Kerry Sandomirsky and Jacob Leonard hand in strong performances in an enigmatic play full of literary allusions
The new play by Ruby Thomas is directed by Studio 58 graduate Angelica Schwartz
Triple-threat performer’s role of bad-guy Tony the Pony is part of a career that’s taking off—and busting body-image stereotypes