Nancy Tam moults translucent skins from dawn till dusk in ...wreckage upon wreckage..., December 2 and 3
A Wake of Vultures interdisciplinary show presented by Vancouver Asian Canadian Theatre explores themes of the past and future

...wreckage upon wreckage...
Vancouver Asian Canadian Theatre and A Wake of Vultures present Nancy Tam’s …wreckage upon wreckage… at Morrow from 7:47 am to 4:16 pm on December 2, and from 7:49 am to 4:15 pm on December 3
WHAT MIGHT IT look like if a human were to moult its skin? Nancy Tam answers that unsettling question in a remount of …wreckage upon wreckage…, her day-long interdisciplinary performance with A Wake of Vultures.
From sunrise to sunset, Tam wraps her body in cling film and tape until she is fully encased, and then moults the translucent human-shaped chrysalis, leaving it behind as she evolves. Repeating the process throughout the day while audiences come and go as they please, Tam prompts reflections on letting go of the past and progressing into the future.
Presented by Vancouver Asian Canadian Theatre, …wreckage upon wreckage… is accompanied by an immersive soundscape from Tam and composer Charlie Cooper. The performance, which takes place at Dumb Instrument Dance’s creative space Morrow, features additional contributions from AI designer Paul Paroczai and AI consultant Kivanç Tatar.

Nancy Tam. Photo by Sewari Campillo
“I first saw ...wreckage upon wreckage... almost a decade ago when I was an emerging artist,” says Derek Chan, Vancouver Asian Canadian Theatre’s managing artistic director, in a release. “It might even have been my first experience of Nancy’s expansive body of interdisciplinary artistic work. The mesmerizing, oscillating tension and harmony between past, present, and future that exist within this durational, accumulative, transformational piece stuck with me for a long time.”
Tam is a Hong Kong-born sound and performance artist that works across multi-channel audio and musical compositions to create art that leans into rigorous dramatics. She is a founding member of the interdisciplinary performance company A Wake of Vultures alongside Daniel O’Shea and Conor Wylie.
Tam is also a member of the Five Blessings Collective with Chan, Robyn Jacob, Jasmine Chen, and Howard Dai. Check out Stir’s feature on Tam in our 2023 Fall Arts Guide to learn more about the projects she has in the works.
Stir editorial assistant Emily Lyth is a Vancouver-based writer and editor who graduated from Langara College’s Journalism program. Her decade of dance training and passion for all things food-related are the foundation of her love for telling arts, culture, and community stories.
Related Articles
Backed by re-creations of famous looks and moves, Jayna Elise’s strong voice drives an eerily believable portrayal of the Queen of Rock ’n’ Roll
Belgian dance-theatre company invites audiences on a thrilling and disorienting journey into the subconscious
In her vibrant new show, the Vancouver singer illuminates and performs the timeless, barrier-breaking music that built Berry Gordy’s sonic empire
Like his perennial hit Kim’s Convenience, new work by the acclaimed writer and actor reflects on Asian Canadian identity with fearless humour
At the Arts Club, actor Susinn McFarlen plays 63-year-old Dorothy, who travels to Burning Man after losing her husband
Blending musical theatre with traditional Indigenous forms, writer-director Corey Payette creates a depiction of residential schools that keeps growing in importance
In partnership with the Talking Stick Festival, Neworld Theatre’s surround-sound audio production draws on traditional Anishinaabe stories
Adaptation of the original Broadway production journeys through different eras of the Man in Black’s life and music
Presented by The Cultch, this vivid play taps into Disney and Cocteau with an enchanting combination of theatre, dance, and visual art
Kate Hamill’s adaptation of Jane Austen’s classic novel follows the outspoken Elizabeth Bennet and remarkably ubiquitous Mr. Darcy
In the palm of her hand, Ingrid Hansen performs cheeky puppet vignettes which are then projected onto a huge screen
Pulitzer Prize finalist Dance Nation headlines the festival, which features fierce and funny works of theatre, comedy, and circus
Catherine Morrison directs Joseph Kesselring’s 1941 comedy that mixes Hollywood charm with dark humour
Arts Club’s high-energy production revives golden age of rock music while reckoning with painful history that refuses to remain silent
In Catherine Léger’s theatre adaptation of a beloved 1970 Québécois film, two neglected stay-at-home moms begin a series of sexual affairs
Touchstone Theatre presents acclaimed writer Anosh Irani’s play about isolation and brotherhood
Speculative-fiction play written by David Mott questions what it means to love in a dystopian digital age
The musical marks a meaningful—and often moving—departure for a Métis actor better known for standup, music, and comedy work
Original cast members Joey Lespérance and France Perras star in this story about an artistic awakening
United Players of Vancouver, in association with Ruby Slippers Theatre, presents the show about two dissatisfied moms who seduce a string of lovers
With its anonymous playwright, the Pi Theatre production faces the unease and violence beneath Hong Kong’s bustling surface
Nlaka’pamux playwright Kevin Loring mines stereotypes for sharp comedy and dark insights on an absurd world
Through songs and stories, the mind behind Kim’s Convenience riffs on Bible stories, his creative process, and growing up in a Korean church
Travis Abels’s work is a guest production by Vancouver Fringe Festival
Well-realized characters help Agatha Christie tale slow-build suspense
Performances in store range from the breathtaking acrobatics of Kalabanté Productions to a life-sized puppet in Where Have All the Buffalo Gone?
From a Pulitzer finalist about pre-teen competitive dancers to a masterclass in Hong Kong food, there’s plenty to dive into this season
One-woman solo show follows the creator’s own near-death experiences, from her childhood in the Bronx to travels in Israel, Asia, and South America
Through projected footage and photographs, Erdal chronicles the last nine months of his mother’s life following a terminal cancer diagnosis
Disney FROZEN, Dial M for Murder, and Louisa May Alcott’s Little Women are all on the books