Loop stations, spoken word, and Jungian shadows, as Vancouver International Flamenco Festival pushes the form September 22 to 24

Anastassiia Alexander, Kara MIranda, and Albert Hernandez present fresh work

Anastassiia Alexander. Photo by Tyler Baker

Vancouver International Flamenco Festival continues to September 24

VANCOUVER INTERNATIONAL FLAMENCO Festival continues to show how vast and form-pushing its art form is as it heads into its final week.

On September 22 at the Waterfront Theatre, Calgary’s Anastassiia Alexander mixes spoken word with dance in The Machination of Memories Suppressed, based on the poem "Maquina de Olvido" (“Oblivion Machine”). In an innovative touch, the artist creates all her own rhythms and soundscapes using a looping station.

The following night at the same venue, Kara Miranda draws on Swiss psychiatrist Carl Jung’s concepts of the Shadow Self in Sombras/Shadows, complete with live music and visual projections that play with light and dark.

And wrapping the festival is hosting company Flamenco Rosario, September 24 at 8 pm at the Waterfront, with Nuevo III. Ballet Nacional de España’s leading dancer and award-winning choreographer Albert Hernandez joins the troupe on stage, presenting three of his works with Madrid’s Irene Tena Mora, including his award-winning work Loca. Granada’s Sara Jimenez and maven Rosario Ancer also create pieces on the program.

Articles

DanceHouse presents Le Patin Libre’s exhilarating ice-dance show Murmuration, March 20 to 23

Inspired by the mesmerizing flight patterns of bird flocks, the work makes its Vancouver premiere in partnership with Canada Dance Ice Theatre

Indigenous dance artist Lara Kramer’s Gorgeous Tongue makes Vancouver comeback at Matriarchs Uprising, February 21

The solo for Jeanette Kotowich addresses the choreographer’s mixed Oji-Cree and Mennonite ancestry

Sankofa Danzafro envisions a society without racism in The City of Others (La Ciudad de los Otros)

The Afro-Colombian dance company headed by Rafael Palacios combines contemporary movement with traditional forms

At Matriarchs Uprising, TOA III draws inspiration from Māori martial arts

Having its world premiere at the fest, the work merges the ancestral knowledge of mau rākau with contemporary dance

Dance reviews: Explorations of identity take striking, and sometimes radical, form on local stages

At the Scotiabank Dance Centre, Daina Ashbee’s We learned a lot at our own funeral takes an unblinking, unsettling look at the death of the self; surreal studies make big impacts at Small Stage

The Dance Centre's Discover Dance! series features SHIAMAK Vancouver, February 27

Company blends exuberant Bollywood dance with jazz, funk, folk, and modern influences

Ballet BC presents ZENITH at the Queen Elizabeth Theatre, March 6 to 8

Monumental triple bill sees the return of Johan Inger’s PASSING along with world premieres from Fernando Hernando Magadan and Andrea Peña

Tap dancer Caleb Teicher and pianist Conrad Tao compare and contrast rhythms in Counterpoint

At the Chan Centre, the New York City–based duo take on George Gershwin’s Rhapsody in Blue, Schoenberg’s “V. Walzer”, and more

Dance review: Set in a stripped-down concrete jungle, BOGOTÁ explores colonial resistance

Multilayered work by Andrea Peña & Artists is full of animalistic ritual, raw emotion, and nods to Colombian history

Ballet Jörgen tours a magical nature-inspired Sleeping Beauty across Canada

Company artists Márcio Teixeira and Daniel Da Silva talk costumes and symbolism in the show ahead of a stop at the Massey Theatre

Stir Q&A: Chimerik 似不像's Caroline MacCaull and Sammy Chien sound off on Inner Sublimity

Copresented by PuSh Festival and Vancouver Art Gallery, the genre-bending work merges dance, new media, and video with immersive sound resonators

B.C.-based dance artist Daina Ashbee takes a fearless look at death and transformation

At the Scotiabank Dance Centre, the in-demand artist draws from the deeply personal and subconscious in the ritualistic new solo We learned a lot at our own funeral

New Works announces upcoming In Practice workshops for Dance Leaders and Educators, February 2 and March 9

Workshops will be facilitated by Majula Drammeh and Adam Grant Warren at the Scotiabank Dance Centre

Dance review: Found-object sculptures add to All That Remains' eerie landscape

PuSh Festival opener explores a dance between humans and the industrial waste they leave behind

Dance review: Circa's Duck Pond conjures striking visual world in clever deconstruction of Swan Lake

Sculptural movement flows against luminous set design—but the highlight is still the raucous third act

Generations connect and cross-pollinate at Dances for a Small Stage

Rising stars like Nasiv Kaur Sall mix with veterans of the form, as event adds two more late-night shows at Please! Beverage Co.

DanceHouse presents the Vancouver premiere of Sankofa Danzafro's The City of Others, February 21 and 22

Colombian choreographer Rafael Palacios explores how to transform a city into a space of inclusion and collective belonging

Through glowing light, rap, and squatting, Bleu Néon pays tribute to Saigon—real and imagined

In solo at the PuSh Festival, Montreal-based dance artist Châu Kim-Sanh draws from her experiences working with artists in Vietnam

At Matriarchs Uprising, Indigenous women dance stories of transformation, February 17 to 22

Annual festival presented by O.Dela Arts and The Dance Centre features world premieres from Raven Spirit Dance and Māori choreographer Bella Waru

Dance review: In I remember..., Joe Laughlin takes a personal look at the march of time and the ephemerality of dance

The uncategorizable new work at the Firehall Arts Centre feels by turns like an intimate conversation, an ode to Vancouver’s dance history, and a guide to life