Hip-hop-driven Can I Live? looks at how people of colour have been excluded from climate activism, online to May 15
Artist Fehinti Balogun on hand for watch party at The York Theatre, May 14
The Cultch presents Can I Live? digitally until May 15, with a live watch party at the York Theatre on May 14 at 8 pm
STREAMING THIS WEEK via The Cultch, Complicité's Can I Live? trails a heap of positive reviews.
In a show driven by hip-hop, spoken-word, animation, and science, artist Fehinti Balogun explores the connection between the environmental crisis and the global struggle for social justice. In other words, Balogun doesn’t just look at climate activism, but how people of colour have been excluded from it.
As The Guardian put it in a review last year, “This powerful cri de coeur grapples with the question of inclusivity in environmental activism not only by connecting it to class and race but to geopolitics, imperial history, and his own journey into activism in the context of his British Nigerian family’s cultural attitudes.”
Those messages resound loud and clear here, where Vancouver has struggled recently with heat domes and atmospheric rivers—as well as racial reckoning.
You can tune in on your home screen, but we recommend you head to the Watch Party at the York Theatre on May 14. That’s because it’s followed by a talkback with the artist who created it.
The show marks the final event of The Cultch’s busy 2021-22 season. You can find more info here.
Janet Smith is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
Based on Rodney DeCroo’s body of work, Butcher Shop Collective show encompasses poetry, music, and shadow puppetry at the Shadbolt
Intimate account of caregiving told in French with English surtitles centres a young woman’s last conversations with her grandmother
Programming includes world premieres from Chimerik 似不像 and rice & beans theatre, BOGOTÁ by Andrea Peña & Artists, and beyond
New musical retells Love’s Labour’s Lost with an intentionally silly plot about a dictator, a track and field team, and mistaken identities
Seasonal standouts include a massive choral Messiah, and different takes on A Christmas Carol—including one with 10-foot-high puppets
Gender-inclusive reimagining of the Eurydice and Orpheus story has dazzling visuals and soaring operatic voices
The Arts Club Theatre Company’s musical is set in the megastar’s birthplace of East Tennessee
Kerry Sandomirsky and Jacob Leonard hand in strong performances in an enigmatic play full of literary allusions
The new play by Ruby Thomas is directed by Studio 58 graduate Angelica Schwartz
Triple-threat performer’s role of bad-guy Tony the Pony is part of a career that’s taking off—and busting body-image stereotypes