Goh Ballet brings classical beauty to the virtual Discover Dance! series, June 3 to 17
Streaming from the Dance Centre, program showcases classical, traditional Chinese, and contemporary works

The Dance Centre streams the Goh Ballet from June 3 at noon until June 17
TUTUS, POINTE SHOES, and masks: the Goh Ballet will have that extra piece of costuming in some of the graceful pieces it showcases in a new digitally streamed mixed program.
The company has kept active throughout the pandemic, honing its dancers, opening a Toronto branch, and even staging an online Nutcracker last holiday season.
Now, the troupe shows off what it’s been up to as part of The Dance Centre’s Discover Dance! series.
In a streamed performance, members of the Goh Ballet Youth Company and Senior Professional Division will perform solos celebrating classical repertoire, Chinese traditional dance, and contemporary works. See the trailer below for a preview of the whirling, light-as-air offerings on view.
Founded in 1978 by Choo Chiat Goh and Lin Yee Goh, the ballet company and academy is now under the direction of Chan Hon Goh, former principal ballerina of the National Ballet of Canada.
Janet Smith is cofounder and editorial director of Stir. She is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
Inspired by the mesmerizing flight patterns of bird flocks, the work makes its Vancouver premiere in partnership with Canada Dance Ice Theatre
The solo for Jeanette Kotowich addresses the choreographer’s mixed Oji-Cree and Mennonite ancestry
The Afro-Colombian dance company headed by Rafael Palacios combines contemporary movement with traditional forms
Having its world premiere at the fest, the work merges the ancestral knowledge of mau rākau with contemporary dance
At the Scotiabank Dance Centre, Daina Ashbee’s We learned a lot at our own funeral takes an unblinking, unsettling look at the death of the self; surreal studies make big impacts at Small Stage
Company blends exuberant Bollywood dance with jazz, funk, folk, and modern influences
Monumental triple bill sees the return of Johan Inger’s PASSING along with world premieres from Fernando Hernando Magadan and Andrea Peña
At the Chan Centre, the New York City–based duo take on George Gershwin’s Rhapsody in Blue, Schoenberg’s “V. Walzer”, and more
Multilayered work by Andrea Peña & Artists is full of animalistic ritual, raw emotion, and nods to Colombian history
Company artists Márcio Teixeira and Daniel Da Silva talk costumes and symbolism in the show ahead of a stop at the Massey Theatre