Juliet: A Revenge Comedy returns to the local stage, December 4 to 8
Kay Meek Arts Centre hosts the celebrated play that sends up Shakespeare by Pippa Mackie and Ryan Gladstone

Lili Beaudoin (left) and Carly Pokoradi in Juliet: A Revenge Comedy. Photo by Peyton Mott
Kay Meek Arts Centre presents Juliet: A Revenge Comedy from December 4 to 8 at McEwen Theatre
WHAT IF JULIET decided not to die? This is a central question in Juliet: A Revenge Comedy, a hit play co-written by Pippa Mackie and Ryan Gladstone running at the Kay Meek Arts Centre from December 4 to 8.
A send-up of Shakespeare classics, the story sees the titular character (played by Lili Beaudoin) break out of an endless loop of turning a dagger on herself in search of a reason for her tragic demise. She winds up recruiting some of the author’s most famous, and similarly doomed, female characters to help her break the cycle—think Ophelia, Lady Macbeth, Cleopatra, and Miranda. Gladstone plays the Bard himself, pursuing his heroines before they subvert his canon. Carly Pokoradi plays some 20-plus characters, including Romeo, Lady Macbeth, and Ophelia.
The work has gone from Fringe festival favourite to Jessie Award–winning play.
“We sold out the first-ever show we did,” Mackie told Stir earlier this year. “So we had nothing to back it off of, and it’s just been touring the country in a similar fashion ever since. Like, we just want to have fun and make people laugh and take the piss out of Shakespeare a little bit.
“This character in particular is so culturally relevant to people,” Mackie added of Juliet. “She’s either the character you want to play out of theatre school, or you want to do her monologue. You know, it’s like the greatest love story of all time. But when you actually kind of look at the facts, it was not so romantic. It was kind of ridiculous. And really, to us, it was very funny. She’s only 13!”
Stir reviewed the show when it ran this past winter at The Cultch, noting “Embracing both the absurd and the profound, the production’s simple, smart setup and upbeat feel hit the sweet spot of being witty without the show getting too cynical or full of itself.”
Gail Johnson is cofounder and associate editor of Stir. She is a Vancouver-based journalist who has earned local and national nominations and awards for her work. She is a certified Gladue Report writer via Indigenous Perspectives Society in partnership with Royal Roads University and is a member of a judging panel for top Vancouver restaurants.
Related Articles
Subscription packs on sale today for Stanley Park stage series that runs June 27 to August 16
Fast-paced feminist adventure follows three coworkers who rebel against their boss
Playwright Laura Wade picks up where Austen’s novel about 19-year-old Emma Watson’s love life left off
Combining live action, music, video, and puppetry, Upintheair Theatre offers a darkly funny vision of collapse that features strange insect hybrids and familiar human flaws
A trio of strong actors make sure some of the most understated moments wind up being the most poignant in this Touchstone Theatre production
Niall McNeil’s new play draws on his love of Disney’s fairy-tale flick and his life as an artist with Down Syndrome
Backed by re-creations of famous looks and moves, Jayna Elise’s strong voice drives an eerily believable portrayal of the Queen of Rock ’n’ Roll
Belgian dance-theatre company invites audiences on a thrilling and disorienting journey into the subconscious
In her vibrant new show, the Vancouver singer illuminates and performs the timeless, barrier-breaking music that built Berry Gordy’s sonic empire
Like his perennial hit Kim’s Convenience, new work by the acclaimed writer and actor reflects on Asian Canadian identity with fearless humour
At the Arts Club, actor Susinn McFarlen plays 63-year-old Dorothy, who travels to Burning Man after losing her husband
Blending musical theatre with traditional Indigenous forms, writer-director Corey Payette creates a depiction of residential schools that keeps growing in importance
In partnership with the Talking Stick Festival, Neworld Theatre’s surround-sound audio production draws on traditional Anishinaabe stories
Adaptation of the original Broadway production journeys through different eras of the Man in Black’s life and music
Presented by The Cultch, this vivid play taps into Disney and Cocteau with an enchanting combination of theatre, dance, and visual art
Kate Hamill’s adaptation of Jane Austen’s classic novel follows the outspoken Elizabeth Bennet and remarkably ubiquitous Mr. Darcy
In the palm of her hand, Ingrid Hansen performs cheeky puppet vignettes which are then projected onto a huge screen
Pulitzer Prize finalist Dance Nation headlines the festival, which features fierce and funny works of theatre, comedy, and circus
Catherine Morrison directs Joseph Kesselring’s 1941 comedy that mixes Hollywood charm with dark humour
Arts Club’s high-energy production revives golden age of rock music while reckoning with painful history that refuses to remain silent
In Catherine Léger’s theatre adaptation of a beloved 1970 Québécois film, two neglected stay-at-home moms begin a series of sexual affairs
Touchstone Theatre presents acclaimed writer Anosh Irani’s play about isolation and brotherhood
Speculative-fiction play written by David Mott questions what it means to love in a dystopian digital age
The musical marks a meaningful—and often moving—departure for a Métis actor better known for standup, music, and comedy work
Original cast members Joey Lespérance and France Perras star in this story about an artistic awakening
United Players of Vancouver, in association with Ruby Slippers Theatre, presents the show about two dissatisfied moms who seduce a string of lovers
With its anonymous playwright, the Pi Theatre production faces the unease and violence beneath Hong Kong’s bustling surface
Nlaka’pamux playwright Kevin Loring mines stereotypes for sharp comedy and dark insights on an absurd world
Through songs and stories, the mind behind Kim’s Convenience riffs on Bible stories, his creative process, and growing up in a Korean church
Travis Abels’s work is a guest production by Vancouver Fringe Festival