Loose Assemblage addresses alienation in Vancouver through theatre, dance, and the absurd, May 24 to 27
UBC students Jack Mosher and Nico Pante’s experimental work blazes a new, collaborative creative path

Loose Assemblage
Loose Assemblage is at the Frederic Wood Theatre from May 24 to 27
UBC THEATRE STUDENTS and interdisciplinary artists Jack Mosher and Nico Pante are not ones to sit around and wait for work to come their way.
They’re preparing to debut a large-scale new work called Loose Assemblage, an experimental theatre piece they created around the feeling of disconnect they’ve found to be prevalent amid Vancouverites.
Loose Assemblage weaves together theatre and dance in an exploration of the desire for connection. That search becomes more and more absurd and dreamlike, as characters attempt to shed themselves, escape dysfunctional family structures, become other animals, and find “normalcy”.
The pair’s unique process invites emerging artists from diverse backgrounds to collaborate and experiment with voice, body, and design.
In the process, they’re forging their own kind of connection—not just between art forms, but between people. You can find more info here.

Janet Smith is cofounder and editorial director of Stir. She is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
Agatha Christie’s classic play is one of the legendary writer’s most haunting and sophisticated works
Performing arts training program for D/disability-identified artists will run from September 2025 to June 2028
Andrew Broderick leads a versatile cast through Eboni Booth’s quietly endearing play
The one-woman performance and installation is by Montreal’s Marie Ségolène Brault
Sébastien David directs Michel Tremblay’s tragic play as part of the ÉCHO(S) series
Every performance, under Donna Spencer’s breezy direction, is consistently funny and fully realized
Tickets are now on sale for Little Red Warrior & His Lawyer, How to Disappear Completely, Children of God, and Beauty and The Beast: My Life
After last season’s hit The Mousetrap, a new adaptation of a thrilling masterpiece by the queen of mystery hits the stage
The puppetry show was a hit at last year’s Vancouver International Children’s Festival
Cast finds both humour and heart in Ruby Slippers premiere by playwright Abi Padilla
In the Arts Club production, his recently laid-off and all-too-relatable character Kenneth learns to face a world he’s long avoided
With a more melancholy undercurrent behind the biting laughs, Ronnie Burkett’s latest show gives voice to the marginalized and the misunderstood
Frances Koncan’s play looks at the fur trade through the perspectives of a Métis woman, a First Nations woman, and a settler woman
Brought to the stage in association with Vancouver Asian Canadian Theatre, production stars Derek Chan in a tasting class and history lesson
The show by rice & beans theatre presented by PuSh Festival and Boca del Lupo moves swiftly with sharp satire
Abi Padilla’s new play draws inspiration from both of her grandmothers
Heartwarming family adventure is told through puppetry, real wildlife projections, and an original score
Western Gold Theatre production explores the aftermath of Henrik Ibsen’s 1879 play A Doll’s House
Belgium’s Chaliwaté and Focus Company joined forces to create the fantastical nonverbal production
The master storyteller’s latest play opens with Joe and his dog facing ejection from their longtime home, with seemingly nowhere to go
Ruby Slippers Theatre presents five staged readings of works by IPBOC playwrights, including Damion LeClair’s Rougarou, Carmen Aguirre’s The Consent Club, and more
Keely O’Brien bakes cakes with personal messages in Secret Ingredients, while Kyle Loven uses puppets to address grief in Loss Machine
At Metro Theatre, Norm Foster’s dark comedy features juicy twists and guilty pleasures
The coproduction by Arts Club Theatre Company and Citadel Theatre pushes the brash heroes through adventure after adventure
Sculptural movement flows against luminous set design—but the highlight is still the raucous third act
Over-the-top performances and funhouse visuals make this Broadway Across Canada production a suitably warped winner
Vancouver’s Mitch and Murray Productions mounts Will Arbery’s complex and challenging play
Part illustrated lecture, part standup comedy, Cheyenne Rouleau’s show rips into fat shaming
The family-friendly piece by Quebec’s L’eau du bain theatre company is an immersive experience