Odd Meridian Arts presents a mandala of movement and music in Piece Lily, July 2 to 7
At cultural space Morrow, Marisa Gold and Ziyian Kwan devise a dance duet to cellist Peggy Lee’s musical score
Odd Meridian Arts presents Piece Lily at Morrow from July 2 to 7 at 7 pm
LIVE CELLO MUSIC, improvised movement, and spoken-word musings are on offer at Odd Meridian Arts as it unveils its latest creation, Piece Lily.
Two dancers, Marisa Gold and Odd Meridian Arts artistic director Ziyian Kwan, will engage in a duet guided and influenced by the peaceful energy of a mandala. Cellist Peggy Lee will play a rich musical score for the show, which is being presented with the support of creation and production assistant Allie Lang. Jessica Han will take care of the work’s calming lighting design.
Gold has been a co-creator and performer with Odd Meridian Arts since 2020. Last July, she choreographed a contemporary-dance duo with Juolin Lee (a fellow Odd Meridian Arts collaborator) for The Queen of Carthage, a modern-Baroque opera that had its world premiere at Early Music Vancouver’s Summer Festival.
Performances of Piece Lily will take place at Morrow, a cozy cultural space run by Odd Meridian Arts. Located at 910 Richards Street, the creative hub sets a serene stage for dancers and viewers alike. Sunlight shines through north-facing, tree-lined windows onto a main performance space, emphasizing the relaxing tone underscoring the work.
Odd Meridian Arts was originally known as Dumb Instrument Dance, a nonprofit founded in 2015 by Kwan. In early 2024, the arts society underwent a name change to better fit the decidedly interdisciplinary nature of its programming.
Emily Lyth is a Vancouver-based writer and editor who graduated from Langara College’s Journalism program. Her decade of dance training and passion for all things food-related are the foundation of her love for telling arts, culture, and community stories.
Related Articles
Programming includes world premieres from Chimerik 似不像 and rice & beans theatre, BOGOTÁ by Andrea Peña & Artists, and beyond
In full-length work, five dancers explore paradoxical themes through vigorous physicality
In DanceHouse presentation of Montreal-based choreographer’s latest ensemble work, simple moves create feelings of restriction
Company to host auditions in Vancouver, Toronto, New York, and Amsterdam for five ballet-based training programs
The local artist is appearing at Dance in Vancouver with his latest piece, which requires a new garment to be made for every performance
Following the company’s West Coast tour of Nutcracker this holiday season, aspiring artists are invited to pursue the prestigious training program
Ne.Sans Opera & Dance’s About Time acknowledges relentlessness of news cycle, while Livona Ellis and Rebecca Margolick’s Fortress examines femininity and matriarchs
A standing O for Frontier’s awe-inspiring visual magic and multiple, moving layers of meaning; plus, an erotically charged Heart Drive and an ever-shifting Cloud Poem
Performance at noon features exciting young artists from Arts Umbrella’s renowned training program
Famed Tchaikovsky ballet with added Canadian elements lands in Vancouver from December 13 to 15 and—for the first time—Surrey on November 23 and 24
Strength and vulnerability meet in new work inspired by the choreographer-dancers’ mothers and grandmothers
The 2025 prize is worth $10,000 to research, develop, or produce new work
On the DAWN program, the renowned choreographer reimagines a work whose black-hooded puppeteers embody the unknown
Performance at Downtown Eastside Heart of the City Festival sees artists break away from traditional gendered movements and costumes
The a cappella work by Joby Talbot is meant to be seen and heard
At The Cultch, Tentacle Tribe gets kaleidoscopically inventive; at the Playhouse, a masterful live band accompanies a show that roots out the soul of Argentina’s beloved art form
As part of the Canadian Arts Coalition’s national call to action, the Canadian Dance Assembly has launched an advocacy campaign
Through visceral synchronized rhythms, the full-length work challenges mandatory conformity and cohesion
Presented by plastic orchard factory, the solo is performed partly in the nude
Benefit at Scotiabank Dance Centre features the principal dancer with the National Ballet of Canada
With projections and a live band, the show celebrates the inclusivity of Argentina’s essential dance form
Le Radeau production sees Yaffe cultivate an exchange between performer and audience with unguarded emotion and humour
Colour, light, reflection, and hip-hop-influenced moves as Montreal troupe’s kaleidoscopic new piece hits The Cultch
Aerial dance show created by Gabrielle Martin and Jeremiah Hughes explores the space between holding onto—or letting go of—one another
Six emerging dance artists from Vancouver and Surrey share performances after months of movement and writing mentorship
Canada’s leading contemporary dance company presents a Pierre Pontvianne premiere, the return of a Dutch choreographic duo, and a large-scale Crystal Pite creation
The Biting School’s new dance work looks at struggle and letting go, with a surreal array of hazard tape, bread dough, mic cords, coffin tents, and more
The Dancers of Damelahamid’s most ambitious production to date explores the precious artistic legacy passed down by Elder Margaret Harris
At The Dance Centre, Anusha Fernando directs an expressive piece born from a year’s worth of nonhierarchical gatherings
When an inquisitive young woman wanders into a fantasy world of astounding acrobatics, she learns that humans have the power to shape the natural world