Squamish Constellation Festival weighs in with its own dire future after Vancouver Folk Music Festival cancellation
Cofounder says cost escalations and the lack of longer-term recovery funding have the concert event desperately looking for an investor “angel”
SQUAMISH CONSTELLATION FESTIVAL cofounder Kirsten Andrews says her organization is faced with deciding whether to pull the plug on the event in the next two weeks.
The news comes amid an announcement today that the Vancouver Folk Music Festival has cancelled its 2023 event and is holding a meeting to dissolve its organization.
“Our costs in 2022 over 2018 were up 35 to 40 percent due to operational stuff,” she tells Stir. “It’s crippling.” She said those soaring costs will make it next to impossible to launch the multi-genre, three-day event without a substantial and immediate influx of funds.
Constellation is citing many of the same challenges as the Folk Fest did today, including rising prices of portable toilets, stages, power, and fencing—many of them demanding payment up front due to increased competition for services.
Launched in 2019, the Squamish Constellation Festival is a zero-waste concert event that also celebrates art and culture in the heart of the Sea to Sky Corridor between Vancouver and Whistler. Last year’s headliners were The New Pornographers and Sarah McLachlan.
Andrews says the 2022 event could not have taken place without emergency provincial COVID recovery funding—specifically the one-time Festivals, Fairs and Events Recovery Fund. Announced last year by Minister of Tourism, Arts, Culture and Sport Melanie Mark, the $12.9 million recovery fund was aimed at helping fairs, festivals, and events rebuild after pandemic shutdowns.
“We’re really grateful for the funding we received, but the province has been somehow shortsighted in the idea that we would be bouncing back so quickly,” Andrews says. “The funding was only for one year and across the board all governments have been remiss in looking at events like ours—events held over one weekend in the summer don’t have the chance to make money back over the year.”
Andrews also emphasizes it’s time for concertgoers and arts fans to step up—especially after a 30 percent decrease in attendance for the 2022 Constellation fest versus 2019. “People do vote with their dollars,” she says. “We need investment or patronage from somebody who sees the value of the arts and culture and what it does for us in society. That was the first thing everybody went to in the pandemic, for our mental health and community.”
The fest organizer adds she’s heartbroken over the looming demise of the folk fest, where she has been a longtime volunteer. She hopes that Constellation can avoid the same fate—but the clock is ticking and she isn’t overly hopeful.
“The Squamish Constellation Festival has never needed an angel more,” she says. can be reached at (info@constellationfest.ca) or social media channels.
Janet Smith is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
They’ll be competing in juried Borsos Competition for Best Canadian Feature at event December 4 to 8
Advocates say a unified strategy is needed for the arts, culture, and heritage sector
The Erickson family and the Arthur Erickson Foundation announce AE100, 12 months of films, exhibits, lectures, and more, launching July 7
Three of the city’s most respected directors to helm The Very Book Indeed, The Arsonists, and The Last of the Pelican Daughters
The local artist was the first woman to play the koni, a traditional Vietnamese instrument typically reserved for men
Lisa Mariko Gelley and Josh Martin receive $10,000 biennial prize, while Dancers of Damelahamid artistic director wins $5,000 annual award
Four mainstage theatre shows hit 2024-25 roster, along with celebrations for Richmond Pride Week, Mid-Autumn Festival, and Lunar New Year
In a move opposition councillors called “embarrassing”, Vancouver City Council majority voted to put off exploring future upgrades to the aging facility by two years
Right now, wheelchair users face stairs and other barriers to attending and working on shows at the historic theatre
Mentors include Raven Chacon, who recently became the first Native American to win the Pulitzer Prize in Music, and Western Front curator-at-large Aki Onda
Welcome Gate is made of fibreglass, stainless steel, copper guilding, and LED lighting
Festival changes to an approximately weeklong event, as organizers cut back by two-thirds in the wake of public grant losses
Four mainstage shows and one indie production featuring Vancouver’s up-and-coming talent fill the calendar
A first round of shows has been announced in the Amplify, Resonate, Play, and Cabaret series, ranging from classical music to Vancouver theatre favourites
Vancouver Symphony Society secures city grant, as dance and music presenters voice needs and say securing local venues is harder than ever
Years in the making, project led by Nick Milkovich Architects Inc. includes full rebuild of the glass-panelled Great Hall, plus the new permanent Pacific Northwest Galleries
The maestro is also artistic advisor of the VSO School of Music
Translator of Spanish-language poetry collection Self-Portrait in the Zone of Silence shares award with original author
The Vancouver artist, who was banned after protesters disrupted the festival, is now using her art to raise funds for Palestinian and Israeli women peace activists
City backs removing barriers to artist studios, while new working group will devote further research into providing arts sector with vital real-estate support
Kelly will helm the school into its 100-year-anniversary celebrations in 2025
Vice-president says internal funding dried up, while 149 Arts Society director says it was hamstrung in its efforts to raise funds
Five mainstage performances include Kim Selody’s adaptation of J.R.R. Tolkien’s beloved book and a production of Will Eno’s Middletown
University VP says “financial realities” mean the end of programming, commissioning, and presenting of new performances with dozens of Vancouver arts-group partners
A first peek at the shows in three series, including the all-new Chan Centre Director’s Cut programmed by director Pat Carrabré
Also on the July 2024 roster, themed PARADOX: griot and hoodoo storyteller Arthur “Rickydoc” Flowers
New entries to the StopAsianHate.ca website highlight the work of Asian-Canadian performing-arts professionals
The fundraising event features unlimited tastings of nearly 50 gins from B.C.’s top distilleries and international imports
The Chutzpah! Festival and the Jewish Book Festival fall outside of new “designated priority groups” for federal and provincial funding, and are struggling to stay afloat
Five world premieres, an international tour, and the return of repertoire favourites will see the company on stages across Canada and in Los Angeles