The former is a hard-hitting feature drama about small-town racism and generational trauma; the latter is a short stop-motion documentary about China’s Cultural Revolution seen through a child’s eyes
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Sean Garrity’s feature gets at both sides of the lies
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Human Extreme, Offside: The Harold Ballard Story, and Diaspora among the 2022 fest’s compelling titles
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Fogaréu is irresistibly disquieting; Sick of Myself recalls a classic of urban cultural psychosis; and Leonor Will Never Die proves surprisingly fun; Music Pictures: New Orleans pays tribute to the NOLA sound
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