Dancing on the Edge
Dancing on the Edge is a contemporary dance festival that strives to increase public appreciation and understanding of contemporary dance. Every summer, the festival also seeks to stimulate the development of high quality Canadian dance artists and choreography.
Celebrating 36 years in 2024, the event, based out of the Firehall Arts Centre, is the oldest and longest running professional contemporary dance festival in Canada. Each year, DOTE is an eagerly anticipated highlight of the Lower Mainland’s dance season.
The brainchild of the Firehall’s Donna Spencer, the fest launched in 1988 as an upstart, unjuried event aimed at boosting contemporary dance presentations in a city where few venues would host them.
Still thriving under the longtime leadership of festival producer Spencer, the organization has proven itself an important partner and supporter of British Columbia dance artists. Among the Vancouver names that have appeared at the fest over the years: Company 605, Lesley Telford/Inverso Productions, Co.ERASGA, Mascall Dance, Kinesis Dance somatheatro, O.Dela Arts/Olivia C. Davies, Serge Bennathan, and Wen Wei Wang. Dancing on the Edge has also brought in talent from across Canada and as far away as Asia and Europe.
DOTE always delivers high calibre, challenging and gorgeous dance delivering innovative and spell-binding works featuring World Premieres, North American and Western Canadian debuts, and works-in-progress from some of the most sought-after contemporary choreographers.
The Dancing on the Edge Festival Society strives to create a place where contemporary dance artists are supported in the creation, development, and presentation of artistically exciting choreography and where audiences discover and enjoy dance in both traditional and non-traditional settings—the latter has included performances at local parks, street intersections, library courtyards, and the historic Firehall’s own beloved courtyard.
The mandate is to provide affordable public performances by local, national, and international dance artists for the benefit of the general public, and to increase public appreciation and understanding of contemporary dance through performances, workshops, classes, lectures, and more. The fest also helps professional dance artists and dance administrators to develop their skills through presentations, workshops, residencies, commissions, and dialogues. It’s become an essential platform for them to debut new work.
Random scenes and songs that stood out across music, theatre, opera, and dance
Contemporary ballet piece co-created with her partner Sylvain Senez explores memory, mortality, and letting go
Energized and visually striking, the new Dancing on the Edge-SFU Woodward’s work also alludes to multiple levels of loss
Furious Grace Dance Theatre’s Gravity in Your Eyes and Method Dance Society’s Behind Veiled Eyes explore female friendships and matriarchal ties
Drawing on the endless scroll of dance fragments online, the new work pushes into fresh territory for the troupe—as does Josh Martin’s new Helen Walkley solo, blocking
Taking place at Dancing on the Edge, the solo features Nêhiyaw/Métis dancer Jeanette Kotowich
Iossy kicks off the highly anticipated 36th annual celebration of contemporary dance
36th annual festival of contemporary dance to present world premieres, Western Canadian debuts, and works-in-progress throughout Metro Vancouver from June 13 to 22
At Dancing on the Edge, an LED-lit spine exoskeleton and white funnel-shaped headpieces create an otherworldly aura
At Dancing on the Edge, new Soft Palate incorporates sculptural fabric headpieces, while Ecdysis features an LED-glowing exoskeleton
Wen Wei Dance has wild, Baroque-tweaked fun, while Juan Villegas explores his Sephardic Jewish ancestry and David Albert-Toth grapples with consumerism
In The door opened west, the choreographer unlocks her friend’s perspective through patterning, light, and cinematic sound
Residencies in Vancouver and Siena build a two-part show by Wen Wei Dance and
Tickets now on sale for groundbreaking fest with more than 30 performances running from July 6 to 15
BABY pairs life-sized puppets and humans, while When I Think It Has Yet to Begin works looping movement to mesmerizing effect
The cutting edge of hip-hop meets Montreal company’s fluid vision of confinement
Erika Mitsuhashi, Francesca Frewer, and Alexa Mardon join forces as part of Dancing on the Edge
Action at a Distance artistic director Vanessa Goodman’s work has its world premiere at Dancing on the Edge
The technologically savvy artist’s new four-person work pushes her exploration of live-generated vocalizations further
Thirty-plus shows spread across outdoor, indoor, and online venues
Four top-flight dancers inhabit a surreal universe of stacked chairs, a strange blue dress, and an echoing lullabye
At Dancing on the Edge, Tuning marks a new journey for the 14-year Ballet BC dancer
Kirsten Wicklund bids an intense adieu to the Vancouver stage for awhile
Choreographer Wen Wei Wang’s duet at Dancing on the Edge Festival speaks to pandemic-era loneliness
Audiences will move through a botanical labyrinth at the Dr. Sun Yat-sen Classical Chinese Garden, during Dancing on the Edge
Billy Marchenski embodies isolation at Iona Beach, while Meredith Kalaman explores ocean and identity
It’s the second chapter in a multi-dancer work-in-progress that kicks off the fest’s Firehall Arts Centre live series
Schedule includes specially commissioned films, and artists including Shay Kuebler, Rachel Meyer, Inverso Productions, Wen Wei Wang, and many more
The Arts Club, the Massey, and Dancing on the Edge unveil programming for summer and beyond
Canada’s longest-running contemporary-dance festival features online and on-stage performances