Boca del Lupo presents Lasa Ng Imperyo at the PuSh Festival, January 30 to February 8
Tagalog play translated, adapted, and performed by Carmela Sison investigates the effects of global imperialism on food preparation
![](https://images.squarespace-cdn.com/content/v1/5f10a7f0e4041a480cbbf0be/5df14983-9101-4d33-980a-33548ece1921/Lasa_Cr_EmilyCooper4.jpg)
Lasa Ng Imperyo. Photo by Emily Cooper
Vancouver’s Boca del Lupo launches its Micro Performance Series in 2025 with Lasa Ng Imperyo, a play translated, adapted, and performed by Filipina Canadian theatre artist Carmela Sison and presented with the PuSh International Performing Arts Festival. Lasa Ng Imperyo is a Tagalog adaptation of A Taste of Empire by Jovanni Sy, produced by rice & beans theatre. Performances run from January 30 to February 8 at The NEST on Granville Island.
Investigating the effects of global imperialism on how people produce, prepare, and consume food, this performance guides audiences across the layered history of Philippine cultural heritage through a live cooking demonstration in a surprising fusion of theatre and gastronomy.
This new version brings a fresh female perspective to the piece by replacing the original Sous-Chef Jovanni with the witty and intrepid Sous-Chef Mela. Her task is to cook rellenong bangus, or stuffed milkfish, a dish with an intricate preparation process that takes its roots from the country’s culinary traditions and colonial past.
As the dish is brought to life, so too are the stories embedded within its ingredients. Sous-Chef Mela’s insights connect the flavours and techniques to broader themes around globalization, cultural identity, and resource exploitation, inviting viewers to consider how the global food market continues to be shaped by imperialist legacies.
Lasa Ng Imperyo is the first presentation in Boca del Lupo’s 2025 Micro Performance Series, which provides a big impact through small-scale creations and experiences. These productions are created and performed by local, national, and international artists working across disciplines in intimate and small-scale forms.
Micro Performance is a unique creative style, adaptable to many forms, from theatre and dance to new media, live art, and interactive technology. The Micro Performance Series continues in April with Lisa Ravensbergen’s The Seventh Fire, as well as presentations at the Vancouver International Children’s Festival and Indian Summer Festival.
Directed by Marcus Youssef, Lasa Ng Imperyo will be presented fully in Tagalog with English surtitles and video projections designed by Andie Lloyd.
More details about the show and a link to purchase tickets can be found through Boca del Lupo’s website.
Post sponsored by Boca del Lupo.
Related Articles
The puppetry show was a hit at last year’s Vancouver International Children’s Festival
Cast finds both humour and heart in Ruby Slippers premiere by playwright Abi Padilla
In the Arts Club production, his recently laid-off and all-too-relatable character Kenneth learns to face a world he’s long avoided
With a more melancholy undercurrent behind the biting laughs, Ronnie Burkett’s latest show gives voice to the marginalized and the misunderstood
Frances Koncan’s play looks at the fur trade through the perspectives of a Métis woman, a First Nations woman, and a settler woman
Brought to the stage in association with Vancouver Asian Canadian Theatre, production stars Derek Chan in a tasting class and history lesson
The show by rice & beans theatre presented by PuSh Festival and Boca del Lupo moves swiftly with sharp satire
Abi Padilla’s new play draws inspiration from both of her grandmothers
Heartwarming family adventure is told through puppetry, real wildlife projections, and an original score
Western Gold Theatre production explores the aftermath of Henrik Ibsen’s 1879 play A Doll’s House
Belgium’s Chaliwaté and Focus Company joined forces to create the fantastical nonverbal production
The master storyteller’s latest play opens with Joe and his dog facing ejection from their longtime home, with seemingly nowhere to go
Ruby Slippers Theatre presents five staged readings of works by IPBOC playwrights, including Damion LeClair’s Rougarou, Carmen Aguirre’s The Consent Club, and more
Keely O’Brien bakes cakes with personal messages in Secret Ingredients, while Kyle Loven uses puppets to address grief in Loss Machine
At Metro Theatre, Norm Foster’s dark comedy features juicy twists and guilty pleasures
The coproduction by Arts Club Theatre Company and Citadel Theatre pushes the brash heroes through adventure after adventure
Sculptural movement flows against luminous set design—but the highlight is still the raucous third act
Over-the-top performances and funhouse visuals make this Broadway Across Canada production a suitably warped winner
Vancouver’s Mitch and Murray Productions mounts Will Arbery’s complex and challenging play
Part illustrated lecture, part standup comedy, Cheyenne Rouleau’s show rips into fat shaming
The family-friendly piece by Quebec’s L’eau du bain theatre company is an immersive experience