Vancouver dance artist Tara Cheyenne Friedenberg explores being in her own skin in Body Parts, May 3 to 6
Humour and movement merge in the deeply personal solo about body image

Tara Cheyenne Friedenberg, Body Parts. Photo by Wendy D
The Cultch presents Tara Cheyenne Performance’s Body Parts from May 3 to 6 at the Historic Theatre as part of the 2023 Femme Festival
“DID YOU GET your body back?” It’s a question that some women have heard several months after giving birth. Vancouver dance artist Tara Cheyenne Friedenberg has been asked it, as she shares—in her signature hilarious, intelligent, honest, physical, and theatrical ways—in Body Parts.
In a society obsessed with impossible beauty standards for women, the Tara Cheyenne Performance founder’s solo is about taking power back. It’s about to have its live world premiere as part of The Cultch’s 2023 Femme Festival.
The work’s genesis goes back a few years, to a time when Friedenberg was becoming increasingly aware of her relationship with her post-pregnancy body. Self-criticism of her physical appearance was nothing new to the veteran artist, with her background in dance, a field notorious for its focus on idealized looks. She started interviewing women as well as female-identifying and non-binary folks throughout B.C. about their own feelings surrounding body image. It became crystal clear that talking about such issues was exactly what was needed. For Friedenberg, so was creating, choreographing, and performing in a multidisciplinary piece.
A blend of stand-up comedy and dance, Body Parts started as a group piece, but that was pre-COVID. The work morphed into a film that was accompanied by online circle discussions around body image. Now coming to life in-person, Body Parts features music by Marc Stewart, lighting design by James Proudfoot, and creative collaboration from Kate Franklin and Josh Martin (outside eye) and Melanie Yeats (dramaturge/discussion moderator). Contributing artists include Bevin Poole, Kim Steveson, Caroline Liffman, Justine A. Chambers, Jamie Robinson, Lisa Gelley, and the late Zahra Shahab,
Related Articles
Belgian dance-theatre company invites audiences on a thrilling and disorienting journey into the subconscious
In the DanceHouse presentation, Le Patin Libre’s artists emulate bird flocks with unfettered glides and layers of emotion
French choreographer Hubert Hazebroucq performs 15th- and 16th-century dances to the sound of a live wind band
In Compagnie de la Citadelle duet choreographed by James Kudelka, a couple’s bond unravels before audiences
Choreographer blends Kathak and contemporary influences in solo presented by the Dance Centre and New Works
At DanceHouse, Montreal choreographer Alexandre Hamel blends a love of birds and a background in competitive figure skating to create a dazzling new kind of ice show
Presented by VIDF with New Works and the Chutzpah! Festival, double bill premieres works by Alexis Fletcher and Fernando Hernando Magadan
Inspired by the titular Sufi mystic, renowned artist’s new solo is co-presented by The Dance Centre and New Works
Cosmic circles, monumental walls of light, and inventive partnering as new Andrea Peña and Fernando Hernando Magadan works bring audiences to their feet
From an aeriform ballet on ice to a duet in total silence, there are several hot tickets this season
Week-long, half-day program is designed for beginner students ages eight to 15
Taiwan-born Pei Lun Lai and Costa Rica-raised Eduardo Jiménez Cabrera negotiate new challenges in the studio—and in their adopted Vancouver hometown
From We All Fall Down’s Papillon to BRKFST Dance Company’s STORMCLUTTER, artists bridge the gap between contemporary and street styles
The City of Others uses a rich mix of dance styles to explore racism and resilience, in DanceHouse production with Blackout Art Society, Latincouver, and VLACC
Inspired by the mesmerizing flight patterns of bird flocks, the work makes its Vancouver premiere in partnership with Canada Dance Ice Theatre
The solo for Jeanette Kotowich addresses the choreographer’s mixed Oji-Cree and Mennonite ancestry
The Afro-Colombian dance company headed by Rafael Palacios combines contemporary movement with traditional forms
Having its world premiere at the fest, the work merges the ancestral knowledge of mau rākau with contemporary dance
At the Scotiabank Dance Centre, Daina Ashbee’s We learned a lot at our own funeral takes an unblinking, unsettling look at the death of the self; surreal studies make big impacts at Small Stage
Company blends exuberant Bollywood dance with jazz, funk, folk, and modern influences
Monumental triple bill sees the return of Johan Inger’s PASSING along with world premieres from Fernando Hernando Magadan and Andrea Peña
At the Chan Centre, the New York City–based duo take on George Gershwin’s Rhapsody in Blue, Schoenberg’s “V. Walzer”, and more
Multilayered work by Andrea Peña & Artists is full of animalistic ritual, raw emotion, and nods to Colombian history
Company artists Márcio Teixeira and Daniel Da Silva talk costumes and symbolism in the show ahead of a stop at the Massey Theatre
Copresented by PuSh Festival and Vancouver Art Gallery, the genre-bending work merges dance, new media, and video with immersive sound resonators
At the Scotiabank Dance Centre, the in-demand artist draws from the deeply personal and subconscious in the ritualistic new solo We learned a lot at our own funeral
Workshops will be facilitated by Majula Drammeh and Adam Grant Warren at the Scotiabank Dance Centre