Vancouver dance artist Tara Cheyenne Friedenberg explores being in her own skin in Body Parts, May 3 to 6
Humour and movement merge in the deeply personal solo about body image
The Cultch presents Tara Cheyenne Performance’s Body Parts from May 3 to 6 at the Historic Theatre as part of the 2023 Femme Festival
“DID YOU GET your body back?” It’s a question that some women have heard several months after giving birth. Vancouver dance artist Tara Cheyenne Friedenberg has been asked it, as she shares—in her signature hilarious, intelligent, honest, physical, and theatrical ways—in Body Parts.
In a society obsessed with impossible beauty standards for women, the Tara Cheyenne Performance founder’s solo is about taking power back. It’s about to have its live world premiere as part of The Cultch’s 2023 Femme Festival.
The work’s genesis goes back a few years, to a time when Friedenberg was becoming increasingly aware of her relationship with her post-pregnancy body. Self-criticism of her physical appearance was nothing new to the veteran artist, with her background in dance, a field notorious for its focus on idealized looks. She started interviewing women as well as female-identifying and non-binary folks throughout B.C. about their own feelings surrounding body image. It became crystal clear that talking about such issues was exactly what was needed. For Friedenberg, so was creating, choreographing, and performing in a multidisciplinary piece.
A blend of stand-up comedy and dance, Body Parts started as a group piece, but that was pre-COVID. The work morphed into a film that was accompanied by online circle discussions around body image. Now coming to life in-person, Body Parts features music by Marc Stewart, lighting design by James Proudfoot, and creative collaboration from Kate Franklin and Josh Martin (outside eye) and Melanie Yeats (dramaturge/discussion moderator). Contributing artists include Bevin Poole, Kim Steveson, Caroline Liffman, Justine A. Chambers, Jamie Robinson, Lisa Gelley, and the late Zahra Shahab,
Related Articles
Dancer-choreographer Joe Laughlin reflects on four decades of performances in emotional exploration of aging
The director of Action at a Distance joins Ballet Edmonton and Eric Cheung in receiving the honour and cash award
The classic production features the Kingdom of the Sweets, the Sugar Plum Fairy, the evil Mouse King, and more
Rising Victoria-raised star never saw the Tchaikovsky classic until he was 20—and now jetés between seven roles
Eclectic cabaret of 12 short dance pieces unfolds on an intimate 10-by-12-foot stage that turns minimal space into a magical canvas
The annual show is a highlight on the seasonal cultural calendar
Performing-arts series produced by Theatre Replacement and Company 605 spans a live cake tasting, an ode to an Indigenous matriarch, and beyond
Exhilarating show reimagines Swan Lake as a cheeky acrobatic spectacle in B.C. premiere at the Vancouver Playhouse
With 25 performances, it’s the first event under the new leadership of Deanna Peters and Victor Tran
Riff on Tchaikovsky’s The Nutcracker infuses the ballet with an assortment of styles, including hip hop, ballroom, and contemporary
The two artists are about to present the world premiere of Shiva (he)/Shakti (she), choreographed by Jai Govinda
World premiere from choreographer Anya Saugstad is full of powerful vignettes and contrasting elements
At DanceHouse, work that builds on repetition is a testament to five dancers’ stellar stamina and attention to detail
Programming includes world premieres from Chimerik 似不像 and rice & beans theatre, BOGOTÁ by Andrea Peña & Artists, and beyond
In full-length work, five dancers explore paradoxical themes through vigorous physicality
In DanceHouse presentation of Montreal-based choreographer’s latest ensemble work, simple moves create feelings of restriction
Company to host auditions in Vancouver, Toronto, New York, and Amsterdam for five ballet-based training programs
The local artist is appearing at Dance in Vancouver with his latest piece, which requires a new garment to be made for every performance
Following the company’s West Coast tour of Nutcracker this holiday season, aspiring artists are invited to pursue the prestigious training program
Ne.Sans Opera & Dance’s About Time acknowledges relentlessness of news cycle, while Livona Ellis and Rebecca Margolick’s Fortress examines femininity and matriarchs
A standing O for Frontier’s awe-inspiring visual magic and multiple, moving layers of meaning; plus, an erotically charged Heart Drive and an ever-shifting Cloud Poem
Performance at noon features exciting young artists from Arts Umbrella’s renowned training program
Famed Tchaikovsky ballet with added Canadian elements lands in Vancouver from December 13 to 15 and—for the first time—Surrey on November 23 and 24
Strength and vulnerability meet in new work inspired by the choreographer-dancers’ mothers and grandmothers
The 2025 prize is worth $10,000 to research, develop, or produce new work
On the DAWN program, the renowned choreographer reimagines a work whose black-hooded puppeteers embody the unknown
Performance at Downtown Eastside Heart of the City Festival sees artists break away from traditional gendered movements and costumes