CTORA Theatre brings the whimsy of Charlie and the Chocolate Factory to the stage
Director Mark Carter loves the story’s over-the-top characters
CTORA Theatre presents Charlie and the Chocolate Factory from October 11 to 27 at the Norman & Annette Rothstein Theatre
VANCOUVER DIRECTOR MARK Carter remembers reading Roald Dahl’s Charlie and the Chocolate Factory when he was about 10 or 11 years old. He vividly recalls the adventures of the titular character and the colourful individuals surrounding him.
Now, Carter is directing CTORA Theatre’s new production of the show at the Norman & Annette Rothstein Theatre from October 11 to 27. The work has reminded him of how much he enjoyed the book.
“I loved the story,” Carter says in a phone interview with Stir. “It made an impression on me. It’s got a bit of everything: it’s whimsical, there’s a little bit of magic, and it’s got some really over-the-top characters. There’s something for everyone. Willy Wonka is eccentric and you don’t quite know what he’s going to do next. It’s such a great story and it’s a lot of fun.”
To refresh the memories of people who, like Carter, may have read the book decades ago, Charlie and the Chocolate Factory revolves around Charlie Bucket, who comes from a poor family and lives with his parents and grandparents. One day, the owner of the town’s chocolate factory, Willy Wonka, announces that he has hidden golden tickets in five Wonka chocolate bars, with the prizes being a tour of the place and a lifetime supply of Wonka products.
Charlie scores one of the tickets, alongside gluttonous Augustus Gloop, gum-chewing Violet Beauregarde, spoiled Veruca Salt, and rambunctious Mike Teavee. Inside, the workers turn out to be cacao-loving Oompa-Loompas, who break out into songs that comment on the four bad kids’ poor manners; Charlie is deemed the only respectful one of the bunch, so Wonka decides to give him the factory.
The book was turned into a musical film with Gene Wilder in 1971 then into another movie in 2005 with Johnny Depp playing the role of Wonka.
Choreographed by Ken Overbey, the CTORA show has a cast of 21 and comes complete with classic songs like “Pure Imagination” and “The Candy Man”. Enhancing the experience is a live eight-piece orchestra featuring some of Vancouver’s top musicians, led by musical director Jeremy Hoffman on keyboard and assistant musical director Monica Sumulong Dumas on bass guitar. The ensemble also includes guitarist Christian Richardson, drummer Tyler Murray, violinist Kevin McDonnell, trumpeter Justin Kury, keyboardist Livia Cohen, and reed musician Jennifer Innanen.
“It’s for families but maybe not for really young ones as it does get a little dark and spooky,” Carter says. “But then it becomes more fun again so it’s very family-friendly. For older people who are familiar with the movies, they’ll get a nostalgic kick out of it, and for anyone experiencing Charlie and the Chocolate Factory for the first time, it will really be an adventure.. We have some backdrop illustrations that take inspiration from the original illustrations in the book. With the set, music, and costumes, it’s a real feast for the eyes and ears.”
Gail Johnson is a Vancouver-based journalist who has earned local and national nominations and awards for her work. She is a certified Gladue Report writer via Indigenous Perspectives Society in partnership with Royal Roads University and is a member of a judging panel for top Vancouver restaurants.
Related Articles
Based on Rodney DeCroo’s body of work, Butcher Shop Collective show encompasses poetry, music, and shadow puppetry at the Shadbolt
Intimate account of caregiving told in French with English surtitles centres a young woman’s last conversations with her grandmother
Programming includes world premieres from Chimerik 似不像 and rice & beans theatre, BOGOTÁ by Andrea Peña & Artists, and beyond
New musical retells Love’s Labour’s Lost with an intentionally silly plot about a dictator, a track and field team, and mistaken identities
Seasonal standouts include a massive choral Messiah, and different takes on A Christmas Carol—including one with 10-foot-high puppets
Gender-inclusive reimagining of the Eurydice and Orpheus story has dazzling visuals and soaring operatic voices
The Arts Club Theatre Company’s musical is set in the megastar’s birthplace of East Tennessee
Kerry Sandomirsky and Jacob Leonard hand in strong performances in an enigmatic play full of literary allusions
The new play by Ruby Thomas is directed by Studio 58 graduate Angelica Schwartz
Triple-threat performer’s role of bad-guy Tony the Pony is part of a career that’s taking off—and busting body-image stereotypes
Broadway musical adaptation of Charles Dickens novel Oliver Twist chronicles an orphan’s search for familial love
Solo show presented by Western Gold Theatre expertly unpacks a quiet hero’s achievements during British expeditions to Antarctica in the early 1900s
On B.C. tour, astonishing production brings Ebenezer Scrooge’s magical Christmas Eve journey to life with giant masks and whimsical puppets
The referential work features key scenes from Shakespearean classics, including As You Like It, Macbeth, and King Lear
The founder of Holy Crow Arts draws from his own life experiences in the story that also touches on addiction and sobriety
Leis, limbo, and lots of dance as adrift characters lead viewers through a warped retro universe
Production by U.K.-based playwright Ruby Thomas explores gender and sexual identities in rigid 18th-century society
Zee Zee Theatre teams up with Vancouver Public Library for free one-on-one storytelling sessions
In her new performance piece, artist-in-residence at Western Front plays with power dynamics between art worker and the public, archivist and archived
Juno Award-nominated family musical directed by Donna Spencer follows four unlikely friends in search of a cure for a town-wide sleeping sickness
The artist is leaving PuSh International Performing Arts Festival after the 2025 event; Margo Kane also departs PuSh
Monster Theatre production by Pippa Mackie and Ryan Gladstone explores the tragedy of Shakespeare’s most famous female characters
Part puppet show, part film screening, and part concert, the show lets attendees in on its creation
In annual holiday show directed by Anita Rochon, Robin Hood must save East Van from the rich and powerful when all city parks are suddenly privatized
Subtitled Heroic Tales of Scott, Crean & Shackleton, the solo show by Aidan Dooley has won some major awards
Fairlith Harvey drew on her experiences as a funeral attendant in creating the experiential work
Festival co-curated with The Cultch’s Heather Redfern features the workshop premiere of Payette’s musical On Native Land, plus a new choral composition
Innovative show created by Rodney DeCroo, Samantha Pawliuk, and David Bloom melds music, theatre, and poetry inside a giant fish
Adaptation of Strauss’s beloved operetta opens Vancouver Opera’s 65th season with cheeky adapted dialogue and musical delights
Cabaret-style festival co-curated by Corey Payette and Heather Redfern features an electrifying fusion of theatre, music, drag, circus, and more