Kokoro Dance performs with musicians Tony Wilson, Joe Williamson, and Kai Basanta, January 13
Barbara Bourget and Jay Hirabayashi team up with jazz artists for the KW Production Studio show
Kokoro Dance will perform with jazz musicians Tony Wilson (guitar), Joe Williamson (bass), and Kai Basanta (drums) on January 13 at 8 pm at KW Production Studio.
Barbara Bourget and Jay Hirabayashi are rekindling the kind of show audiences may have caught this past winter, when the Kokoro cofounders danced to music by Wilson, Basanta, and Peggy Lee. Or maybe local viewers caught the dancing duo at the Glass Slipper in 1991, performing with the Kane-Taylor Explosion (Wilson, Daniel Miles Kane on saxophone, and Stan Taylor on drums).
It’s a chance for arts lovers to catch Williamson, a former Vancouverite who left to pursue a musical career in Europe in 1992; he’s now based in Sweden.
Tickets are $10 or $15 (or pay what you can at the door). Drinks by donation. Doors will open at 7:30 pm.
The KW Production Studio is located in the Woodward's Heritage Building (111 West Hastings Street ).
More information is at Kokoro Dance.
Related Articles
Programming includes world premieres from Chimerik 似不像 and rice & beans theatre, BOGOTÁ by Andrea Peña & Artists, and beyond
In full-length work, five dancers explore paradoxical themes through vigorous physicality
In DanceHouse presentation of Montreal-based choreographer’s latest ensemble work, simple moves create feelings of restriction
Company to host auditions in Vancouver, Toronto, New York, and Amsterdam for five ballet-based training programs
The local artist is appearing at Dance in Vancouver with his latest piece, which requires a new garment to be made for every performance
Following the company’s West Coast tour of Nutcracker this holiday season, aspiring artists are invited to pursue the prestigious training program
Ne.Sans Opera & Dance’s About Time acknowledges relentlessness of news cycle, while Livona Ellis and Rebecca Margolick’s Fortress examines femininity and matriarchs
A standing O for Frontier’s awe-inspiring visual magic and multiple, moving layers of meaning; plus, an erotically charged Heart Drive and an ever-shifting Cloud Poem
Performance at noon features exciting young artists from Arts Umbrella’s renowned training program
Famed Tchaikovsky ballet with added Canadian elements lands in Vancouver from December 13 to 15 and—for the first time—Surrey on November 23 and 24
Strength and vulnerability meet in new work inspired by the choreographer-dancers’ mothers and grandmothers
The 2025 prize is worth $10,000 to research, develop, or produce new work
On the DAWN program, the renowned choreographer reimagines a work whose black-hooded puppeteers embody the unknown
Performance at Downtown Eastside Heart of the City Festival sees artists break away from traditional gendered movements and costumes
The a cappella work by Joby Talbot is meant to be seen and heard
At The Cultch, Tentacle Tribe gets kaleidoscopically inventive; at the Playhouse, a masterful live band accompanies a show that roots out the soul of Argentina’s beloved art form
As part of the Canadian Arts Coalition’s national call to action, the Canadian Dance Assembly has launched an advocacy campaign
Through visceral synchronized rhythms, the full-length work challenges mandatory conformity and cohesion
Presented by plastic orchard factory, the solo is performed partly in the nude
Benefit at Scotiabank Dance Centre features the principal dancer with the National Ballet of Canada
With projections and a live band, the show celebrates the inclusivity of Argentina’s essential dance form
Le Radeau production sees Yaffe cultivate an exchange between performer and audience with unguarded emotion and humour
Colour, light, reflection, and hip-hop-influenced moves as Montreal troupe’s kaleidoscopic new piece hits The Cultch
Aerial dance show created by Gabrielle Martin and Jeremiah Hughes explores the space between holding onto—or letting go of—one another
Six emerging dance artists from Vancouver and Surrey share performances after months of movement and writing mentorship
Canada’s leading contemporary dance company presents a Pierre Pontvianne premiere, the return of a Dutch choreographic duo, and a large-scale Crystal Pite creation
The Biting School’s new dance work looks at struggle and letting go, with a surreal array of hazard tape, bread dough, mic cords, coffin tents, and more