Lia Grainger performs La Forastera at Vancouver International Flamenco Festival, September 19
Toronto dancer’s full-length multidisciplinary work is about a woman’s struggle to find her place within a foreign artform
The Vancouver International Flamenco Festival presents La Forastera (The Outsider) on September 19 at 8 pm at the Waterfront Theatre
WITH HER LONG and lean physique, Lia Grainger has developed a flamenco style that is all her own. She’ll bring her unique form to this year’s Vancouver International Flamenco Festival in a work called La Forastera (The Outsider).
The full-length multidisciplinary production by the founder of Toronto’s Flamencolía Dance Company features not only dance and live music but also projections, soundscapes, narration, and documentary footage shot in Spain.
La Forastera is a love story about the passion between a woman and an art form that is not hers and about the struggle to find her place within that foreign craft. It is about learning a skill as opposed to being born into it, about things that cannot be taught but can only be gained through lived experience, and about the fact that every story has meaning and value. La Forastera was nominated for a 2023 Dora Mavor Moore Award in the category of outstanding performance by an individual—dance.
Born in Vancouver, Grainger began her dance training in 2002, studying with mavens Oscar Nieto and Kasandra “La China”. From 2015 to 2019, she lived in Spain full-time, returning to Canada to perform, studying with greats like Manuela Rios, Farruquito, Manuel Betanzos, Úrsula López, and Alicia Márquez. She returned to Canada permanently in 2019 and now calls Toronto home.
Gail Johnson is a Vancouver-based journalist who has earned local and national nominations and awards for her work. She is a certified Gladue Report writer via Indigenous Perspectives Society in partnership with Royal Roads University and is a member of a judging panel for top Vancouver restaurants.
Related Articles
Programming includes world premieres from Chimerik 似不像 and rice & beans theatre, BOGOTÁ by Andrea Peña & Artists, and beyond
In full-length work, five dancers explore paradoxical themes through vigorous physicality
In DanceHouse presentation of Montreal-based choreographer’s latest ensemble work, simple moves create feelings of restriction
Company to host auditions in Vancouver, Toronto, New York, and Amsterdam for five ballet-based training programs
The local artist is appearing at Dance in Vancouver with his latest piece, which requires a new garment to be made for every performance
Following the company’s West Coast tour of Nutcracker this holiday season, aspiring artists are invited to pursue the prestigious training program
Ne.Sans Opera & Dance’s About Time acknowledges relentlessness of news cycle, while Livona Ellis and Rebecca Margolick’s Fortress examines femininity and matriarchs
Annual holiday market to feature textile, ceramic, jewellery, print, apothecary, and homeware goods, plus food and drink vendors
A standing O for Frontier’s awe-inspiring visual magic and multiple, moving layers of meaning; plus, an erotically charged Heart Drive and an ever-shifting Cloud Poem
Performance at noon features exciting young artists from Arts Umbrella’s renowned training program
The Cinematheque’s annual screen trip to Europe spans silly, Estonia-set The Invisible Fight, Finland’s unsettling 1980s teen drama Light Light Light, and more
The pilot project means five artists who are unable to open their studios to the public get to participate in the annual arts extravaganza
Linda Suffidy, Tristesse Seeliger, Helen Alex Murray, and Aurora Caher work across mediums to produce works with distinctive style
Famed Tchaikovsky ballet with added Canadian elements lands in Vancouver from December 13 to 15 and—for the first time—Surrey on November 23 and 24
Three Vancouver artists working in different media talk about finding inspiration in the culinary world
Running December 4 to 8, fest to feature Ben Affleck-helmed Unstoppable, Queer with Daniel Craig and Jason Schwartzman, and September 5 with Peter Sarsgaard
Strength and vulnerability meet in new work inspired by the choreographer-dancers’ mothers and grandmothers
The 2025 prize is worth $10,000 to research, develop, or produce new work
On the DAWN program, the renowned choreographer reimagines a work whose black-hooded puppeteers embody the unknown
Festival co-curated with The Cultch’s Heather Redfern features the workshop premiere of Payette’s musical On Native Land, plus a new choral composition
Performance at Downtown Eastside Heart of the City Festival sees artists break away from traditional gendered movements and costumes