Humour meets dark history in Sansei: The Storyteller, April 27 to 29
Kunji Mark Ikeda explores Japanese-Canadian internment through light comedy in the solo coming to Vancouver
Shadbolt Centre for the Arts presents Sansei: The Storyteller on April 27 at 2 pm and on April 28 and 29 at 8 pm at The Shadbolt’s Studio Theatre
THE TAGLINE FOR Sansei: The Storyteller might be a little confounding; the show is described as “a lighthearted look at the Japanese-Canadian internment”.
Indeed, Kunji Mark Ikeda, who created, wrote, and performs the solo, uses humour to approach the topic of the federal government’s forcible expulsion and confinement of approximately 21,000 Japanese-Canadians following the bombing of Pearl Harbour. His connection to the story is personal: his grandparents were separated during the widespread imprisonment, which began in 1942; they had Ikeda’s father once they were reunited.
“It seems like this paradox, but for me, in finding how much that generation…went through and how, consciously or not, they worked to not pass along hate, to not pass along these negative emotions, to not harbour resentment, especially in the next generation,” Ikeda told Stir in an interview about the work last year. “For me, it was safe material.
“Being able to bring it to life and to light meant the opportunity to tell it in a way that, in my research, I didn’t see anyone else doing: by having access to comedy to talk about it,” said Ikeda, artistic director of Calgary’s Cloudsway Dance Theatre. “It felt almost like a superpower; I had this opportunity available to tell it through humour. We’ve been conditioned to sit back and accept it passively through media and news, and here’s the doom and gloom. This show is very consciously humorous and engaging in really specific ways to draw in the audience.”
Now, Sansei: The Storyteller is coming to The Shadbolt, the piece a blend of dance, theatre, physical storytelling, historical audio, and family memories. It has won a Best of Fest award at the Calgary International Fringe Festival as well as nominations for performance and choreography from the Betty Mitchell (Calgary Theatre) Awards.
Ikeda has trained with Denise Clarke of One Yellow Rabbit, is a member of the DSW Dance Action Group, and has taught at the University of Calgary and the Rosebud School of the Arts.
Tickets and more information are here.
Related Articles
The performance centres on a live cooking demonstration to explore the colonial history of the Philippines
The latest installment in the company’s ÉCHO(S): staged readings series is coproduced by Pi Theatre
The multimedia documentary-style work interweaves personal stories with historical, political, and sociological facts
West Coast premiere of Frances Koncan’s powerful play offers a satirical take on the Canadian fur trade
New twist on a classic ballet is full of beauty and wit, breaking new ground for the Aussie modern-circus troupe
Heartwarming, hilarious play is presented in association with the Shadbolt Centre for the Arts, Presentation House Theatre, and Blackout Art Society
Production by L’eau du bain theatre company follows the friendship of two young girls in an endless Norwegian winter
Based on the 1844 novel by Alexandre Dumas, Arts Club Theatre Company and Citadel Theatre coproduction is full of heroism, passion, and adventure
Tagalog play translated, adapted, and performed by Carmela Sison investigates the effects of global imperialism on food preparation
Neworld Theatre’s one-woman production mixes stand-up comedy and storytelling in an unapologetic dissection of fatphobia
Steffanie Davis returns to the stage as Isabelle, a millennial reimagining of hopeless romantic Cyrano de Bergerac
Random scenes and songs that stood out across music, theatre, opera, and dance
At the Little Mountain Gallery, improvisers draw on Shakespeare plays to craft an all-new tragedy
Pantos, waltzes, and stage musicals are just a few of the ways for culture vultures to ring in 2025
The UBC Masters alumnus and Philippines stage leader helmed the Arts Club’s Million Dollar Quartet, Beneath Springhill, and Dolly Parton’s Smoky Mountain Christmas Carol
Chaotic farce by Canada’s most-produced playwright follows a furniture-store owner caught in a compromising position
A smart revolving set and some smashing choreography keep this family musical moving
Metro Theatre’s holiday production brims with over-the-top moments and laugh-out-loud humour
The production proves why pantomime is such a popular artform in the U.K.
Earlier this year, a successful 40th anniversary fundraiser helped pull the organization out of financial uncertainty
Kate Braidwood and Andrew Phoenix’s holiday favourite reinvents the classic Charles Dickens novel as a physical-theatre show
Vancouver Fringe Festival presents the show about Medusa, one of mythology’s most misunderstood figures
The organization had been raising funds and awareness for those living with HIV/AIDS since 1991
Timeless adaptation of Charles Dickens novel follows a young orphan who dreams of finding a family
Playwright-actor Camille Paré-Poirier uses recordings of the pair’s conversations in her new play coming to Théâtre la Seizième
“Jingle Bell Rock”, “Holly Jolly Christmas”, and “I’ll Be Home for Christmas” are among the festive tunes the crooners crank out
Donna Spencer directs Ann Mortifee’s family musical