Energized and visually striking, the new Dancing on the Edge-SFU Woodward’s work also alludes to multiple levels of loss
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Drawing on the endless scroll of dance fragments online, the new work pushes into fresh territory for the troupe—as does Josh Martin’s new Helen Walkley solo, blocking
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Vice-president says internal funding dried up, while 149 Arts Society director says it was hamstrung in its efforts to raise funds
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University VP says “financial realities” mean the end of programming, commissioning, and presenting of new performances with dozens of Vancouver arts-group partners
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Running May 2 to 12, fest also features nanekawâsis, Any Other Way: The Jackie Shane Story, Tea Creek, and Caravan Farm Theatre doc The Originals
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Through chorus song, live guitar, and more, Haitian director’s Creole-French production navigates experiences of uprooted families, care of Théâtre la Seizième, PuSh Festival, and SFU Woodward’s Cultural Programs
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Hypnotic serenity, adrenaline highs, pummelling feet, and piercing stares
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With Caída del Cielo, dance star dives deep into her own soul, and vividly refreshes an art form
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Marisa Gold reinterprets a mythical figure in The Queen of Carthage, while Stéphanie Brochard removes layers of Baroque dress in Atempor/elle
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At Dancing on the Edge, an LED-lit spine exoskeleton and white funnel-shaped headpieces create an otherworldly aura
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At Dancing on the Edge, new Soft Palate incorporates sculptural fabric headpieces, while Ecdysis features an LED-glowing exoskeleton
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The Toronto-based dance artist draws on her own memories of immigrant women forming community for the 22-performer work
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With expressive dance, eerie orchestrations, and stylized design, Astrolabe Musik Theatre performs an unsettling spin on the Pied Piper tale
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The artist seeks out undercover assets, and draws on his own domestic life, for Three Sighs
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Working with Idan Cohen and Leslie Dala, Heather Pawsey is finally ready to see composer George Benjamin’s reimagining of Pied Piper hit stage
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In latest episode of Artscape podcast, the dance artist talks about FakeKnot’s new multidisciplinary production
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La Singla searches for a lost flamenco star; A Way to B profiles the members of a daring disability-arts troupe; and Cheenee traces the history of Indian diaspora in Trinidad and Tobago
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Ensemble piece takes its name from a traditional textile made of fibres from the leaves of pineapple plants
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Caroline Shaw and Vanessa Goodman play with the tension between the human and the mechanical
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CALTAC board member Alexandra Lainfiesta says this year’s focus is self-identification amid an incredibly diverse community
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