Energized and visually striking, the new Dancing on the Edge-SFU Woodward’s work also alludes to multiple levels of loss
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Drawing on the endless scroll of dance fragments online, the new work pushes into fresh territory for the troupe—as does Josh Martin’s new Helen Walkley solo, blocking
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Vice-president says internal funding dried up, while 149 Arts Society director says it was hamstrung in its efforts to raise funds
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University VP says “financial realities” mean the end of programming, commissioning, and presenting of new performances with dozens of Vancouver arts-group partners
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Running May 2 to 12, fest also features nanekawâsis, Any Other Way: The Jackie Shane Story, Tea Creek, and Caravan Farm Theatre doc The Originals
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Making its Vancouver premiere at Rendez-Vous French Film Festival, Julien Capraro’s new NFB movie assesses the good, the bad, and the ugly of the emerging laptop-and-sweatpants generation
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Long-awaited performance of Fallen from Heaven (Caída del Cielo) takes place at Vancouver International Flamenco Festival
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Music from jazz singer Fuat Tuaç, lively group Istanbul the Band, and more characterize community event
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Marisa Gold reinterprets a mythical figure in The Queen of Carthage, while Stéphanie Brochard removes layers of Baroque dress in Atempor/elle
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Shown in partnership with DanceHouse and Indian Summer Festival, women-centric work is brimming with life
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At Dancing on the Edge, new Soft Palate incorporates sculptural fabric headpieces, while Ecdysis features an LED-glowing exoskeleton
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The Toronto-based dance artist draws on her own memories of immigrant women forming community for the 22-performer work
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Double bill from Emmalena Fredriksson is distinguished by otherworldly costuming and technology
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The author and activist will speak to the global series’ June theme of “reverie”
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With expressive dance, eerie orchestrations, and stylized design, Astrolabe Musik Theatre performs an unsettling spin on the Pied Piper tale
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Working with Idan Cohen and Leslie Dala, Heather Pawsey is finally ready to see composer George Benjamin’s reimagining of Pied Piper hit stage
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FakeKnot artistic director Ralph Escamillan’s new work shines a light on its namesake traditional fabric
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In latest episode of Artscape podcast, the dance artist talks about FakeKnot’s new multidisciplinary production
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Caroline Shaw and Vanessa Goodman play with the tension between the human and the mechanical
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CALTAC board member Alexandra Lainfiesta says this year’s focus is self-identification amid an incredibly diverse community
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