Taketeru Kudo explores the depths of isolation in The Foot on the Edge of Knife, March 15 to 18
At Vancouver International Dance Festival, Japanese artist unveils work created during Tokyo’s extended COVID lockdown

Taketeru Kudo
Vancouver International Dance Festival presents Taketeru Kudo’s The Foot on the Edge of Knife from March 15 to 18 at the ANNEX
TOKYO DANCE ARTIST Taketeru Kudo started crafting The Foot on the Edge of Knife during Japan’s extended lockdown in Tokyo in 2021. And butoh seems like the perfect darkly beautiful art form to express all that he was feeling.
Working in isolation, Kudo worked with 100-odd pieces of music sent to him by composer Masaru Soga, working night after night alone to create the piece vividly titled The Foot on the Edge of Knife.
Catch the show at this year’s Vancouver International Dance Festival and find out if it taps the same isolation, desperation, and the knife-edge of confinement of COVID lockdowns here. It marks the first time the solo will be seen in North America.
Kudo is recognized around the world for his butoh, establishing his own troupe, Tokyo Gien-kan, but with a history of dancing in butoh groups like Sankai Juku.
Related Articles
As part of Asian Heritage Month, the gallery’s first performers-in-residence use old-school radios and headlamps in a new piece that fuses dance, multimedia, and theatre
The Dance Centre prizes carry $5,000 in funding for each artist
Fifth edition of uncurated program provides a welcoming space for artist’s first dance-theatre piece
Tickets on sale today for a Simran Sachar–Justine A. Chambers choreographic collab, comedian Kiran Deol, and Indian classical music star Alam Khan
Batsheva Dance Company alumni’s fascinating journey around the globe and onscreen finally brings them to Vancouver with Obsidian
In a surreal and outstanding conclusion to the DanceHouse season, the Belgian company warps time and gravity, toying inventively with cinematic tropes
Vancouver Playhouse performances feature choreography by Crystal Pite, Marco Goecke, Sharon Eyal, and more
New Works hosts screenings, while the Dance Centre presents performances by the likes of Vanessa Goodman, Dance//Novella, and Lesley Telford
Ashvini Sundaram takes second place in prize presented by The Hawthorne Foundation and DanceHouse
At The Cultch’s Warrior Festival, circus performers alternate between base and flyer, dismantling long-standing assumptions
Program features Vanessa Goodman/Action at a Distance, Dance//Novella, Karen Jamieson Dance, and more
Olivier Award–winning dance-theatre troupe blends physically pummelling choreography with surreal worlds that blur reality and fantasy
Former National Ballet of Canada artistic director reflects on his 2008 duet as Plastic Orchid Factory gears up to present its revival
Program includes a new creation from a sought-after choreographic duo, a remount of an acclaimed work, and a world premiere from Medhi Walerski
Vancouver choreogapher Crystal Pite has won previous Oliviers for Revisor, Betroffenheit, and Flight Path
Early Music Vancouver program features a piffari, or wind band, accompanied by the early dances of French and Italian court festivities
Offerings also include Hungary’s circus-dance company Recirquel, as well as Robert Lepage and Guillaume Côté’s visually striking take on Shakespeare’s Hamlet
Belgian dance-theatre company invites audiences on a thrilling and disorienting journey into the subconscious
In the DanceHouse presentation, Le Patin Libre’s artists emulate bird flocks with unfettered glides and layers of emotion
French choreographer Hubert Hazebroucq performs 15th- and 16th-century dances to the sound of a live wind band
In Compagnie de la Citadelle duet choreographed by James Kudelka, a couple’s bond unravels before audiences
Choreographer blends Kathak and contemporary influences in solo presented by the Dance Centre and New Works
At DanceHouse, Montreal choreographer Alexandre Hamel blends a love of birds and a background in competitive figure skating to create a dazzling new kind of ice show
Presented by VIDF with New Works and the Chutzpah! Festival, double bill premieres works by Alexis Fletcher and Fernando Hernando Magadan