Vancouver Bach Choir kicks off season with two masterworks by Mozart & Haydn, at the Orpheum on October 7
Coronation Mass and Nelson Mass were written barely two decades apart
The Vancouver Bach Choir presents Mozart & Haydn on October 7, 7:30 pm, at the Orpheum
THEY ARE TWO iconic works in the choral canon, and they premiered only a few decades apart.
At just 23, after a commission from the Archbishop of Salzburg, Mozart wrote his Coronation Mass in 1779—and understandably, it was an immediate success that year, when it was first performed at the Salzburg Cathedral. Along with the rich choral lines, it’s underscored with oboes, horns, and trumpets, along with singing strings.
Joseph Haydn, meanwhile, penned his master choral work—the Nelson Mass—in 1798, late in his career. It’s a huge work with big sound, intertwined with nuanced emotional moments. The Austrian composer had titled it Mass for Troubled Times, and expect to hear a darker edge to the piece than in Mozart’s festive yet solemn mass.
It’s a major concert with two large-scale works to open the Bach Choir season, the group joined by stellar soloists Magdalena How, Katie Fraser, Ian McCloy, and Philip Wing, as well as members of the Vancouver Opera Orchestra. It should be fascinating to see the masses performed side-by-side in a sonic journey back to the creatively fertile world of the late 18th century.
Related Articles
Singers from the Vancouver Bach Family of Choirs unite with musicians in this annual performance of charming seasonal selections
Part puppet show, part film screening, and part concert, the show lets attendees in on its creation
At Mountain View Cemetery, musica intima and the Vancouver Bach Choir join forces with local brass players to perform a Phrase of Remembrance
On Remembrance Day, composer-in-residence Marie-Claire Saindon contributes new piece that tells of finding light in darkness
Free open house at VIVO Media Arts Centre features live performances by Matthew Ariaratnam, Andromeda Monk, Sapphire Haze, and Anju Singh
Festival co-curated with The Cultch’s Heather Redfern features the workshop premiere of Payette’s musical On Native Land, plus a new choral composition
Performing alongside pakhavaj artist Tejas Tope, Dagar explores the virtuosity of dhrupad, India’s oldest-surviving classical style
White rabbits and Magritte clouds, as Visions Ouest presents film of Orchestre symphonique de Montréal’s epic and affecting multimedia performance
Castalian String Quartet, violist Timothy Ridout, cellist Zlatomir Fung, and pianists Angela Cheng and Benjamin Hochman will perform two concerts in one day at the Vancouver Playhouse
Innovative show created by Rodney DeCroo, Samantha Pawliuk, and David Bloom melds music, theatre, and poetry inside a giant fish