DanceHouse
For seventeen years, DanceHouse has connected Vancouver audiences to the international world of dance.
Founded in 2008 by local producers Barbara Clausen and Jim Smith, DanceHouse formed to fill a void for world-class dance of scale coming into the city.
Since then, it has presented vibrant and inspiring companies from Canada and beyond at the Vancouver Playhouse—including celebrated works by companies including Compagnie Marie Chouinard (Montreal), Dorrance Dance (US), Hofesh Shechter Company (UK), and Vancouver’s own Kidd Pivot. It introduced local audiences to some of the hottest troupes from far corners of the world—including Brazil’s cutting-edge Grupo Corpo, Senegal’s École des Sables, and Australia’s mighty Circa.
The culturally diverse programming aims not just to foster a wider appreciation of dance here on the West Coast, but to challenge and inspire audience members. It’s become a showcase for work that fuses disciplines like theatre and multimedia with dance, or that intersects with culturally rooted styles. Sometimes that means the world-premiere of a hotly-anticipated new work (Kidd Pivot’s sold out productions of Revisor (2019) and Assembly Hall (2023), or an explosion of physicality (think Spanish Compañía Rocío Molina’s avant-garde theatricality, peerless technique, and reinvention of flamenco as we know it).
Led today by artistic and executive director Jim Smith, DanceHouse has become an integral part of the cultural fabric of the city. The organization proudly works with local community partners including Blackout Art Society, Matriarchs Uprising, Vancouver Latin American Cultural Centre, and Vancouver Tap Festival, and co-presenters such as Dancers of Damelahamid, Indian Summer Festival, The Cultch, Vancouver Flamenco Festival and many more.
It has also built a full range of engagement opportunities beyond the stage. These include Speaking of Dance pre-show talks, a rare opportunity for audiences to hear from and engage directly with visiting artists and their representatives, masterclasses with world-class artists, post-show socials with visiting dance companies, and ticket discounts for a variety of local community members such as youth and young adults.
In DanceHouse presentation of Montreal-based choreographer’s latest ensemble work, simple moves create feelings of restriction
Strength and vulnerability meet in new work inspired by the choreographer-dancers’ mothers and grandmothers
At The Cultch, Tentacle Tribe gets kaleidoscopically inventive; at the Playhouse, a masterful live band accompanies a show that roots out the soul of Argentina’s beloved art form
Through visceral synchronized rhythms, the full-length work challenges mandatory conformity and cohesion
With projections and a live band, the show celebrates the inclusivity of Argentina’s essential dance form
Immersive performance sees a shy woman swept off her feet by the seductive world of tango through live music and projections
Vancouver Symphony Orchestra, Ballet BC, and DanceHouse are among 14 performing-arts organizations pushing for major new facility
Vancouver Symphony Society secures city grant, as dance and music presenters voice needs and say securing local venues is harder than ever
The New York City troupe began the production in complete darkness, attuning the audience’s ears to the intricate sounds of feet on floors
Show had its origins in a 200-year-old church, where Michelle Dorrance’s acclaimed company couldn’t always use metal tap shoes
Show held in partnership with the Vancouver Tap Dance Society honours the genre’s past and future with thunderous physical percussion
Six boundary-breaking works are on offer, ranging from Montreal’s Compagnie Catherine Gaudet to Colombia’s Sankofa Danzafro
His new production, debuting here at DanceHouse, explores home—a theme borne directly out of the pandemic
Striking study of universal longing for home is inspired by Odysseus’ epic journey in Homer’s The Odyssey
Contemporary-dance show claims space, shepherds audiences in Vástádus eana – The answer is land.
The choreographer who spends her summers reindeer herding with her family creates a piece that integrates joiking, megaphones, and proud red hats
Sámi choreographer-filmmaker’s new work is inspired by activism and Indigenous spiritual practices
Receiving a wild standing O, Aussie company ups its own game to create a fun, finely orchestrated flow of ever-shifting human towers and sculptures
Australian company draws on circus arts and dance for its high-flying work soon having its North American premiere in Vancouver
Co-presentation of Australian company by The Cultch and DanceHouse pairs skill with gravity-defying acrobatics
Random memorable scenes from the year in arts span 50 dancers swirling in BOLERO X, a powerful Julius Caesar speech, and a cello star’s finale with local string students
The New Year starts off strong in the local arts community, from dance to interactive installations to a Cabane à Sucre
In Crystal Pite and Jonathon Young’s world premiere, ancient stories and unruly humans can’t be contained
Working again with theatre artist Jonathon Young, Vancouver dance star makes sophisticated play out of medieval re-enactment, Robert’s Rules, and the spoken word
Hypnotic serenity, adrenaline highs, pummelling feet, and piercing stares
Perks of being a member include complimentary tickets, access to pre-show events, and more
With Caída del Cielo, dance star dives deep into her own soul, and vividly refreshes an art form
Long-awaited performance of Fallen from Heaven (Caída del Cielo) takes place at Vancouver International Flamenco Festival
The Toronto-based dance artist draws on her own memories of immigrant women forming community for the 22-performer work
Honorary mentions go to choreographers Alyssa Favero and Joshua Ongcol, in new prize given out by the Hawthorne Foundation and DanceHouse