Upintheair Theatre
Upintheair is a value-driven organization, prioritizing values of integrity, opportunity, hospitality, collaboration, relevance, and fun. The value set is the guiding principle for all decision making, actions, and relationship building.
Founded in 1999 by Daniel Martin and David Mott, Upintheair Theatre has spent over 20 years creating innovative performance, platforms for community-building, and opportunities for early career artists. After launching with a series of Fringe Festival hits, the company is best known for producing festivals – Walking Fish, Neanderthal, and rEvolver - that established it as a vital part of the Vancouver and Canadian theatre scene. In 2022 Daniel Martin moved on from his role at the company to pursue new challenges while David continues to direct the artistic path for Upintheair with General Manager Andrea Rideout and a team of emerging curators. Daniel and David are lifetime creative partners that will continue to generate new works outside of Upintheair.
Launched in 2003 with no funding by a company with no producing track record, the Walking Fish Festival ran for nine years, and featured more than 450 emerging artists in the production of 88 original, Canadian works. From 2010 to 2012, Upintheair then joined with Left Right Minds to run Neanderthal Arts—a two-week summer festival with original, full length works. In 2013, they launched the rEvolver Festival, which today provides a supported environment for emerging and early mid-career professionals to present boundary-pushing work to diverse and enthusiastic audiences. In 2019 they began a new commissioning series, The Array, to develop further relationship with generative Vancpouver theatre artists. Providing financial, marketing and venue resources to artists to make short pieces sourced from a shared theme inspired by current science and physics news.
Upintheair also creates and produces innovative live theatrical performances through its in-house theatre projects. The company focuses on the speculative fiction genre to explore contemporary political and societal issues. Often described as the “What if?” genre, speculative fiction is characterized by unusual ideas and an elevated imagination, creating innovative works like Inside The Seed, The City and The City, The North Plan! (a Jessie Richardson Theatre Award winner for outstanding production, small theatre, in 2015), A Brief History of Human Extinction and REVELATIONS. In all, the company has produced more than 100 shorts works, as well as 11 original performances, 3 Festivals, and multiple performances by existing playwrights.
Upintheair continues to explore issues and ideas examining the contemporary world around us. With a keen eye on the immediate future, Upintheair is devoted to fostering the next live performance generation - those who see it, those who make it, and those who do it.
@interWEBBED’s absurd comedy escalates into dystopian Black Mirror-esque territory, while Soft tongues: a bioacoustic opera builds an intoxicating froggy soundscape
Jami Reimer’s Soft tongues: a bioacoustic opera takes a sonic and video-enhanced trip to the Brazilian rainforest, while Neworld Theatre’s Earth Case Scenario presents short eco-works
Theatre artists Tony Adams and Joylyn Secunda unpack the theme of transformation through self-acceptance in their respective shows
Show topics span technology, neurodiversity, loss, and more across 14 mainstage presentations, including Multi – Vs, Silent Howl, and The Ballad of Georges Boivin
Centred at The Cultch, contemporary-performance celebration spans bioacoustic opera and African-dance-infused theatre
Upintheair Theatre event features commissions from four groups of artists, including Chandra’s The Library Performance Collective
Lineup features The Library Performance Collective, Jarin Schexnider, Tamar Zehava Tabori, and Upintheair Theatre
Engaging shows employ everything from juggling to two chairs to explore complexity of identity
Métis playwright and Ukrainian actor recount their harrowing, and often hilarious, journey together at rEvolver Festival
Writer-director Anthony Kit Chun Lee’s solo show digs into the meaning of authenticity
Simran Gill’s groundbreaking new play is set to premiere live at the Upintheair Theatre event—integrating Sign Language and music you can feel
Ten mainstage productions run the gamut from dance to drag to stand-up comedy and then some
After more than two decades of boundary-pushing work and nurturing emerging artists, the company enters a new chapter
Three highly original new works explore the theme of Beyond the Knowledge of Humankind
Last chances to check out Controller and Lucky, plus the final Updraft readings
SEETHERED joins four women in a hospital waiting room, while Passenger Seat cranks up the fog machines
Gender? I Hardly Know Them mixes sketch comedy and true monologues to spread “Prairie queer joy”
Fest’s 10th-anniversary edition features live productions, digital presentations, and special events
Board games, escape rooms, and the end of the world all inform the hybrid show by Upintheair Theatre in association with Rumble Theatre
The hybrid production In association with Rumble Theatre is part interactive game, part live performance
Boundary-pushing offerings include a wonderfully weird website-EP and collagelike text fragments
Using everything from virtual reality to sign language, creative teams find new ways to connect with audiences
Glimpse behind the scenes at developing new works, May 19 to June 6
Bumper-ball soccer, drag sci-fi fantasies, and silent movies: Upintheair offerings think outside of the box
Hunters, Tricksters & Mystics riff on doomscrolling and dating apps, while Popcorn Galaxies looks to old-school letters
House of Rice, rice & beans theatre, Popcorn Galaxies, and Hunters, Tricksters & Mystics debut short commissions
Four companies taken on alien encounters and more as the annual series goes digital