Film review: 7 Beats Per Minute plunges viewers into otherwordly ocean depths
Stunning cinematography and a compelling story make documentary about freediver Jessea Lu a breathless watch

7 Beats Per Minute screens at the VIFF Centre from March 14 to 22
YUQI KANG’S DOCUMENTARY 7 Beats Per Minute follows a freediver, and finds fascinating, poetic ways to immerse viewers in the depths of the ocean.
The big question is: What compels a human to push their lungs to hold breath for eight or ten long minutes as they press into the dark? The mesmerizing cinematography captures the magic appeal, plunging the viewer into the great blue beyond, often shooting competitive freediver Jessea Lu from below, silhouetted against the surface with her long flippers rippling. Helped by a soundtrack full of muffled underwater burbling, the effect is otherworldly.
On land, Kang prods her articulate subject to express what draws her to the sport, and as she builds a close relationship, she slowly uncovers the equally deep-dwelling trauma that drives Lu to extreme self-discipline and escape. The fact that Lu is a high-achieving pharmacological PhD who immigrated to the U.S. from China with no money and without knowing a soul only adds to the portrait’s complexity.
Filmed over five years, this NFB doc centres around Lu’s training to conquer the elite freediving competition Vertical Blue that will take her down a gaping hole in the Bahamas sea. We learn the intricacies of freediving—how Lu gulps small bits of air before submerging, and how she enters an almost trancelike state, her heartbeat lowering to the film’s titular near-death limbo.
Kang circles back to that surreal site of the competition—a tiny dock off a rocky shore—again and again, the camera shooting the location from high above, then breaking through the surface to descend from its azure shallows to the black void below.
To conquer the hole, Lu not only has to follow a vertical rope down 93 metres to beat the world record, but has to then find the energy, and remaining oxygen, to climb it all the way up again. The hole is also the site of an almost impossibly intense eight minutes, where we learn how quickly, and terrifyingly, freediving can go wrong.
The rest of the revelations are best left to the film, which gives a visceral lesson in the fact that no matter how far you go, you can’t hide from yourself. Don’t be surprised to find yourself holding your breath as you watch it.

Jessea Lu in 7 Beats Per Minute.
Janet Smith is cofounder and editorial director of Stir. She is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
A panel discussion with workers and community advocates takes place after the VIFF Centre screening
Mareya Shot Keetha Goal: Make the Shot won a spot as best B.C. feature, plus much more as Surrey-based event hands out cash and development support
Moving from architectural marvel to frozen cabin, the film mixes bitter humour with a poetic fugue fuelled by familial trauma
Vancouver director Ben Immanuel drew from his acting students’ real experiences to craft a funny and poignant collaborative film that was years in the making
Program includes Vancouver premieres, returning classics, and a tribute to Tracey Friesen and free screenings on National Canadian Film Day
New paraDOXA initiative will highlight experimental films like To Use a Mountain
Director Mahesh Pailoor and producer Asit Vyas tell the impactful true story of a young man diagnosed with terminal cancer
In Aisha’s Story, a Palestinian matriarch uses food for generational healing, while Saints and Warriors follows a Haida basketball team
Event presented by SFU School for the Contemporary Arts features a screening of In the Garden of Forking Paths
First-time film actor Keira Jang takes a leading role in Vancouver director Ann Marie Fleming’s dark “satire” about a bucolic post-collapse future that comes with a catch
Stunning cinematography and a compelling story make documentary about freediver Jessea Lu a breathless watch
At The Cinematheque, Nanos Valaoritis’s memories of a long life in poetry are like a museum you never want to leave
Program includes Boy on a Dolphin, The Travelling Players, On the Waterfront, and more
Sepideh Yadegar’s film tells the story of an Iranian international student photographed at a Women, Life, Freedom protest in Vancouver
The series presents 14 titles by the master of nonfiction film, rarely seen in the cinema
Housewife of the Year unpacks a long-running Irish TV show, while There’s Still Tomorrow follows a working-class Italian woman in the 1940s
Director Sepideh Yadegar’s debut feature follows Iranian international student Sahar as she stands up for women’s rights in Vancouver
At Vancity Theatre, Christopher Auchter’s film takes us back to the 1985 protest that led to a historic win
La Femme Cachée faces buried trauma; En Fanfare celebrates the power of music; and Saint-Exupéry tells an old-style adventure story
Sweeping biopic returns with nostalgic songs and atmospheric cinematography
Second-annual event opens with Mahesh Pailoor’s Paper Flowers and closes with Enrique Vázquez’s Firma Aquí (Sign Here)
A Real Pain’s Jesse Eisenberg and Anora’s Sean Baker among international award-winners to send in acceptance videos for event at VIFF Centre
At The Spirit of Adventure opening event, the film “The Beginning” captures the Squamish resident’s record-breaking feat at Goat Ridge
Korean-born, B.C.-raised filmmaker’s Maple Ridge-shot first feature centres around a Korean family struggling with grief