Mammoth Edward Yang retrospective launches at the Cinematheque to April 29
The series begins with A Confucian Confusion and includes both Yi Yi and the epic A Brighter Summer Day
Are You Lonesome Tonight? The Films of Edward Yang takes place at the Cinematheque from March 28 to April 29
HIS NAME IS spoken by cinephiles in reverent tones, yet Edward Yang was a filmmaker almost by accident, entering the field sideways in the early ’80s while pursuing a career in American tech. Yang’s work is emblematic of the Taiwan New Wave but is sui generis on its own terms. His best known film, 2000’s Yi Yi, tells the story of a middle-class family in Taipei, but contains the whole world inside its measured compositions and affecting melodrama.
That would be Yang’s last feature, winning him the best director prize at Cannes and a reputation that exceeded even that of his friend and sometime creative partner Hou Hsiao-hsien. Seven years later, Yang was dead from cancer, leaving behind a remarkable slate of unfinished projects including an animated film with Jackie Chan. Most of what he bequeathed has been gathered together for a stupendous retrospective at the Cinematheque, starting March 28 when UBC’s Dr. Helena Wu introduces the 1994 comedy A Confucian Confusion, followed immediately on March 29 by the film that competes with Yi Yi as Yang’s masterpiece, 1992’s A Brighter Summer Day.
A sprawling period teen crime epic clocking in at almost four hours (and openly influenced by Goodfellas and western pop culture), Yang’s movie takes its title from Elvis Presley’s “Are You Lonesome Tonight?”, which in turn gives the Cinematheque series its name, and reminds us that one of the real masters of the form might have ended up working for Microsoft in his adopted America if fate hadn’t intervened and corrected the course of history as the gods of cinema intended.
Both films receive multiple screenings into April, along with That Day, On the Beach (1983), Taipei Story (1985), The Terrorizers (1986), and Mahjong (1996), with Yi Yi screening on April 1, 21, and 29.
Adrian Mack writes about popular culture from his impregnable compound on Salt Spring Island.
Related Articles
Thelma & Louise and Umbrellas of Cherbourg are part of the theatre’s Essential Big Screen 2024 series
Audiences can watch the beloved Christmas film on the big screen while musicians perform John Debney’s original score live
Everything is heightened in Joshua Oppenheimer’s chilling parody of privilege and willful ignorance
Persistent smiles and anguish; geometric interiors and painstaking compositions in Japanese director’s well- and lesser-known films
Really Happy Someday wins Borsos Award for best Canadian feature film
Energetically shot new film explores profound—and timely—issues around undocumented immigrants and class divisions in America
Fabienne Colas launched her self-titled foundation to mount Black film festivals all across Canada
Fairy Creek and Resident Orca follow impassioned fights, while NiiMisSak: Sisters In Film celebrates Indigenous impacts onscreen
Producer-screenwriter Sean Harris Oliver toys with reality as “documentary” crew follows story of two missing teens into the deep, dark woods of Vancouver Island
Highlights include Matthew Leutwyler’s Fight Like a Girl on opening night, Being Black In Canada short-film series, VIBFF Black Market, and more
Powerful four-episode program follows the intimate, dramatic stories behind organ-transplant patients and professionals in Canada
New documentary from Belgian filmmaker Johan Grimonprez, a look at the 1961 assassination of Patrice Lumumba, screens directly afterward
The Cinematheque’s annual screen trip to Europe spans silly, Estonia-set The Invisible Fight, Finland’s unsettling 1980s teen drama Light Light Light, and more
The documentary took home the Arbutus Award for best B.C. film at the 2024 Vancouver International Film Festival
Running December 4 to 8, fest to feature Ben Affleck-helmed Unstoppable, Queer with Daniel Craig and Jason Schwartzman, and September 5 with Peter Sarsgaard
London’s National Gallery hosts the U.K.’s biggest-ever exhibition honouring Vincent van Gogh, one of history’s most beloved artists
Subtitled Beauty Between the Lines, the film by Danny Berish and Ryan Mah digs deeper than the architect’s portfolio
White rabbits and Magritte clouds, as Visions Ouest presents film of Orchestre symphonique de Montréal’s epic and affecting multimedia performance
Featuring film offerings from all 27 European Union members, festival opens with Hungary’s Some Birds and closes with Ukraine’s The Hardest Hour
They’ll be competing in juried Borsos Competition for Best Canadian Feature at event December 4 to 8
Boldly pushing the documentary form, Vancouver director tracks a story that involved guns, drugs, money laundering, child abuse, and even murder
Canada-wide opportunity connects aspiring filmmakers with established industry professionals
In this classic of German expressionism screening at the Shadbolt, “Every frame is like an album cover,” says the postrock band’s Simon Dobbs
The Cinematheque curator Sonja Baksa delivers a week of programming centred on celluloid witches, just in time for Halloween
Photographer Kiliii Yuyan will be live on stage for the film’s visually stunning exploration of the Arctic
Inay (Mama) wins the Arbutus Award for best B.C. film; Summit award for best Canadian film goes to Universal Language
Another highlight of the series on the same date features Shōgun VFX supervisor Michael Cliett