Otosan makes a local comeback at Gateway Theatre, February 17 to 22
The puppetry show was a hit at last year’s Vancouver International Children’s Festival

Otosan. Photo by Chelsey Stuyt
Gateway Theatre presents Otosan from February 17 to 22
AFTER A SUCCESSFUL run at last year’s Vancouver International Children's Festival, Otosan is coming back to the local stage with a mounting by Richmond’s Gateway Theatre. The show about adventure and family connection runs from February 17 to 22.
Created by the Little Onion Puppet Company, the production is suitable for patrons aged four and up and features tabletop puppetry, real wildlife projections, and an original score.
Otosan follows Shizu, a curious young girl who hides in her father’s suitcase and winds up joining him on a journey to the far North. Her father, a no-nonsense wildlife videographer, is forced to confront the challenges of his work and his relationship with his daughter as they encounter grizzly bears, snowy owls, and white wolves. The story unfolds as an exploration of love, communication, and the bonds that unite families.
Otosan is performed by Randi Edmundson, Shizuka Kai, June Fukumura, and Lisa Goebel. Inspired by the real-life experiences of Kai and her wildlife-videographer father, Otosan blends personal storytelling with stunning visuals.
In an interview with Stir, Kai explained that she wanted to showcase the tricky relationship she and others have with their fathers who don’t fit the Western description of dad.
“He’s a very traditional [Japanese] dad, he doesn’t say very much, he grunts, that’s how he talks, he doesn’t show affection,” the artist said. “There’s love there, but it’s not huggy; it’s a different kind of love.”
Otosan was created with the support of Deaf consultants Caroline Hébert and Ladan Sahraei. To further enhance accessibility, American Sign Language interpretation of the pre-show speech will be available at all performances. There will also be ASL interpretation provided at the talkback on February 22 at 10 am.
Gail Johnson is cofounder and associate editor of Stir. She is a Vancouver-based journalist who has earned local and national nominations and awards for her work. She is a certified Gladue Report writer via Indigenous Perspectives Society in partnership with Royal Roads University and is a member of a judging panel for top Vancouver restaurants.
Related Articles
United Players of Vancouver, in association with Ruby Slippers Theatre, presents the show about two dissatisfied moms who seduce a string of lovers
With its anonymous playwright, the Pi Theatre production faces the unease and violence beneath Hong Kong’s bustling surface
Nlaka’pamux playwright Kevin Loring mines stereotypes for sharp comedy and dark insights on an absurd world
Through songs and stories, the mind behind Kim’s Convenience riffs on Bible stories, his creative process, and growing up in a Korean church
Travis Abels’s work is a guest production by Vancouver Fringe Festival
Well-realized characters help Agatha Christie tale slow-build suspense
Performances in store range from the breathtaking acrobatics of Kalabanté Productions to a life-sized puppet in Where Have All the Buffalo Gone?
From a Pulitzer finalist about pre-teen competitive dancers to a masterclass in Hong Kong food, there’s plenty to dive into this season
One-woman solo show follows the creator’s own near-death experiences, from her childhood in the Bronx to travels in Israel, Asia, and South America
Through projected footage and photographs, Erdal chronicles the last nine months of his mother’s life following a terminal cancer diagnosis
Disney FROZEN, Dial M for Murder, and Louisa May Alcott’s Little Women are all on the books
Food plays a leading role in the Pi Theatre production starring Derek Chan, presented in association with Vancouver Asian Canadian Theatre
The production written and directed by Nlaka’pamux playwright Kevin Loring is a land-claims farce
Work by acclaimed playwright and novelist Anosh Irani focuses on three South Asian men navigating their migration journeys in Canada
Agatha Christie’s classic play is one of the legendary writer’s most haunting and sophisticated works
Performing arts training program for D/disability-identified artists will run from September 2025 to June 2028
Andrew Broderick leads a versatile cast through Eboni Booth’s quietly endearing play
The one-woman performance and installation is by Montreal’s Marie Ségolène Brault
Sébastien David directs Michel Tremblay’s tragic play as part of the ÉCHO(S) series
Every performance, under Donna Spencer’s breezy direction, is consistently funny and fully realized
Tickets are now on sale for Little Red Warrior & His Lawyer, How to Disappear Completely, Children of God, and Beauty and The Beast: My Life