Vancouver Symphony Orchestra takes a trip through John Williams’s classic score, screening Raiders of the Lost Ark, March 21 and 22
Conductor Andrew Crust leads the orchestra through the first and best Indiana Jones movie
The Vancouver Symphony Opera presents Raiders of the Lost Ark March 21 and 22 at 7:00 pm
OKAY, HEAR us out: in American cinema, there is no figure who towers higher than composer John Williams.
Still working at 92-years-old and with five Oscars to his name, the man has collaborated with everyone—and we mean everyone—of note in Hollywood, including Alfred Hitchcock, Robert Altman, Clint Eastwood, and Brian DePalma, in a career that spans a near century of popular culture, beginning with early credits on Gilligan’s Island and Lost in Space and mentorship under figures he would eventually succeed like Henry Mancini, Bernard Hermann, and Jerry Goldsmith.
Williams’s most widely recognized partnership, of course, is with the Spielberg-Lucas juggernaut, and his soundtrack to Raiders of the Lost Ark is arguably the one we all love the most. Led by conductor Andrew Crust, the Vancouver Symphony Orchestra brings a live score to a screening of the 1981 classic at the Orpheum, which will surely still be ringing in our heads days later, with its bravado title theme accompanying such acts of derring-do as a midnight trip to Fresh Slice pizza.
Adrian Mack writes about popular culture from his impregnable compound on Salt Spring Island.
Related Articles
Thelma & Louise and Umbrellas of Cherbourg are part of the theatre’s Essential Big Screen 2024 series
Audiences can watch the beloved Christmas film on the big screen while musicians perform John Debney’s original score live
Everything is heightened in Joshua Oppenheimer’s chilling parody of privilege and willful ignorance
Persistent smiles and anguish; geometric interiors and painstaking compositions in Japanese director’s well- and lesser-known films
Really Happy Someday wins Borsos Award for best Canadian feature film
Energetically shot new film explores profound—and timely—issues around undocumented immigrants and class divisions in America
Fabienne Colas launched her self-titled foundation to mount Black film festivals all across Canada
Fairy Creek and Resident Orca follow impassioned fights, while NiiMisSak: Sisters In Film celebrates Indigenous impacts onscreen
Producer-screenwriter Sean Harris Oliver toys with reality as “documentary” crew follows story of two missing teens into the deep, dark woods of Vancouver Island
Highlights include Matthew Leutwyler’s Fight Like a Girl on opening night, Being Black In Canada short-film series, VIBFF Black Market, and more
Powerful four-episode program follows the intimate, dramatic stories behind organ-transplant patients and professionals in Canada
New documentary from Belgian filmmaker Johan Grimonprez, a look at the 1961 assassination of Patrice Lumumba, screens directly afterward
The Cinematheque’s annual screen trip to Europe spans silly, Estonia-set The Invisible Fight, Finland’s unsettling 1980s teen drama Light Light Light, and more
The documentary took home the Arbutus Award for best B.C. film at the 2024 Vancouver International Film Festival
Running December 4 to 8, fest to feature Ben Affleck-helmed Unstoppable, Queer with Daniel Craig and Jason Schwartzman, and September 5 with Peter Sarsgaard
London’s National Gallery hosts the U.K.’s biggest-ever exhibition honouring Vincent van Gogh, one of history’s most beloved artists
Subtitled Beauty Between the Lines, the film by Danny Berish and Ryan Mah digs deeper than the architect’s portfolio
White rabbits and Magritte clouds, as Visions Ouest presents film of Orchestre symphonique de Montréal’s epic and affecting multimedia performance
Featuring film offerings from all 27 European Union members, festival opens with Hungary’s Some Birds and closes with Ukraine’s The Hardest Hour
They’ll be competing in juried Borsos Competition for Best Canadian Feature at event December 4 to 8
Boldly pushing the documentary form, Vancouver director tracks a story that involved guns, drugs, money laundering, child abuse, and even murder
Canada-wide opportunity connects aspiring filmmakers with established industry professionals
In this classic of German expressionism screening at the Shadbolt, “Every frame is like an album cover,” says the postrock band’s Simon Dobbs
The Cinematheque curator Sonja Baksa delivers a week of programming centred on celluloid witches, just in time for Halloween
Photographer Kiliii Yuyan will be live on stage for the film’s visually stunning exploration of the Arctic
Inay (Mama) wins the Arbutus Award for best B.C. film; Summit award for best Canadian film goes to Universal Language
Another highlight of the series on the same date features Shōgun VFX supervisor Michael Cliett
F.W. Murnau’s 1926 classic follows the demon Mephisto, who makes a bet with an archangel that a good man’s soul can be corrupted
Lively, detective-like documentary reveals how Kwakwa̱ka̱ʼwakw and Yup’ik ceremonial masks found their way into the hands of Surrealist masters—and new attempts to repatriate them
Quick takes on Brief History of a Family, Anora, Viva Niki, and Who by Fire, plus documentaries about everything from design mavericks to Haida logging protests to the children of overseas nannies