Capture Photography Festival
Launched in 2013, Capture Photography Festival is Western Canada’s largest lens-based art festival.
Annually in April, lens-based art is exhibited at dozens of galleries and other venues throughout Metro Vancouver as part of the Exhibitions Program, alongside an extensive Public Art Program, an Events Program that spans tours, films, artist talks, and community events as well as an educational partnership with Emily Carr University.
Capture’s vision is to connect Vancouver to the world through lens-based art. The festival acts as a platform to expand visual literacy through lens-based art; strives to give voice to traditionally underrepresented communities and to present compelling, urgent lens-based art. The organization aims to connect communities to incite meaningful dialogue between artists, curators, audiences, organizations and institutions. Capture is committed to presenting perspectives from diverse backgrounds and members of underrepresented groups.
Past exhibitions have spanned artists including Douglas Coupland, Sara Cwynar, Adad Hannah, Karice Mitchell, Andre Petterson, Vivek Shraya, Ian Wallace, and Jin-me Yoon works gracing galleries big and small, plus buildings, billboards, and beyond.
Stipe’s photograph of Kurt Cobain’s hand sells for $75,000 while Coupland’s painting goes for $150,000 at Vancouver event
The 2024 fest’s closing celebration hears from Vancouver Art Gallery’s deputy director and director of curatorial programs
Monumental exhibition unites works by celebrated Canadian contemporary artists, including Jin-me Yoon, Ian Wallace, Cameron Kerr, and Stan Douglas
Collaborative exhibition with Emily Carr University of Art + Design curated by Birthe Piontek features photographs by nine student artists
Works by Stan Douglas, Ian Wallace, Jin-me Yoon, and more explore the evolving significance of landscapes in contemporary Canadian art
L.A.-based artist who has photographed Billie Eilish and Lil Nas X for the New York Times breaks down the childlike creativity behind her bold images
Truth and beauty collide with body horror, urban collapse, and the comfort of dream-logic
Balaclavas, urination, and punk rock: The Polygon Gallery brings exhibition celebrating group’s raucous acts of Putin protest to West Coast
Diverse and visually striking, this year’s lineup features works by Ian Wallace, Ho Tam, Sarah Anne Johnson, and more
As We Rise: Photography from the Black Atlantic to be discussed at the closing celebration
New exhibition at West Vancouver Art Museum features a career-spanning selection of the local artist’s transfixing images
Site-specific installation at Audain Art Museum is part of the 2023 Capture Photography Festival
Pendulum Gallery’s Here and Now exhibit juxtaposes self-portrait with studio shots by early-20th century’s Yucho Chow
Dutch artist Viviane Sassen’s work purposefully confuses our perception of space
The new exhibition, subtitled Photography from the Black Atlantic, is drawn from Black Toronto-based art collector and dentist Kenneth Montague’s vast Wedge Collection
Kyla Bourgh, Chad Wong describe their artworks as part of the 2022 photography festival
Selections from Berlin-based artist Shannon Bool’s Horse of Oblivion series make up part of Capture Photography Festival’s 2022 Billboard Project
You won’t find any “typical” family portraits at the vast group exhibition
Books, albums, and pre-photographic cloud studies also make up the ambitious new exhibition at the Polygon Gallery
This year’s commission by Capture Photography Festival shines a light on advertising tropes
The late Burnaby flight attendant and founding member of the Contemporary Art Society of Vancouver began buying artworks in the 1980s with savings accumulated from per diems
Celia Perrin Sidarous’s “Flotsam” series plays with art history, still lifes, and archival imagery
Panel of curators and others explore the issues around the removal of Steven Shearer’s images
The annual event showcases extraordinary images of 2020 captured by members of News Photographers Association of Canada
Manufactured Landscapes, Watermark, and Anthropocene: The Human Epoch find terrible beauty in environmental destruction
Steven Shearer’s pictures, drawn from his massive archives, unsettle by design
The writer colourfully tracks her own trajectory a the SUM Gallery, as part of the Capture Photography Festival
Works from the Darkie series find new resonance as large-scale public art
His first lens-based public artwork will be unveiled as part of Capture Photography Festival at BC Hydro’s Dal Grauer Substation
VAG and Capture Photography Festival team up for a show of art that questions and subverts consumer culture