SFU Woodward’s Cultural Programs
SFU Woodward's Cultural Programs (SFUW) engages with leading edge artists in dance, theatre, cinema, music and digital arts, provoking new practices and approaches reflecting the ever-changing landscape of contemporary arts. Since its inception in 2010 and the opening of the Goldcorp Centre for the Arts building, SFUW has continued to commission, produce, and present more than 200 works per year.
In each new endeavour, SFUW is guided by the mandate to Create. Engage. Inspire.
Create: This looks like creating opportunities and fertile environments for new work to develop. Residencies, developmental workshops, and artistic incubations are critical aspects of the process. Through access to its venues, artists are permitted the artistic tools necessary to further their creations. SFUW is a catalyst for the creation of new work, having commissioned and supported the creation of new work over a multi-year process.
Engage: SFUW engages with over 25 professional cultural community partners, reflecting the diversity and inclusivity of the Lower Mainland. From long-lasting partnerships to brand new relationships, SFUW’s dynamic portfolio of community relationships connects audiences near and far who may not otherwise access SFUW spaces and programming. Through these partnerships, we extend our reach into the community and authentically support a diversity of communities across genre and form. From a decade-long partnership with Indian Summer Festival, Turning Point Ensemble, and Vancouver Moving Theatre, to growing partnerships with film festivals that include Vancouver International Film Festival, F-O-R-M, and fests in Lebanese, Polish, Turkish, and South African communities. Brand new partnerships kicking off this year range from the Chutzpah Festival to Music on Main, strengthening the community together.
Inspire: SFUW works with exceptional creatives, engaging with leading local and international artists who are pushing the boundaries of their form. SFUW aspires to find new artistic expressions capturing contemporary voices in our society. Through SFUW’s physical and cultural position, we directly connect emerging artists from SFU’s School for the Contemporary Arts to the cutting-edge artists coming through SFUW’s doors. Professional artists often offer workshops, masterclasses, open rehearsals, and behind-the-scenes access to productions.
Small but mighty, SFUW is often remarked as “punching above their weight” in the exceptional local, national, and international artists they bring to town. The 2022-23 season marks SFUW’s 10th anniversary season, and will be a celebration of exceptional presentations from artists across Canada, alongside dynamic in-person and virtual workshops, conversations, presentations, screenings, concerts, shows, and much more. SFU Woodward’s Cultural Programs look ahead to the next 10 years of growth, community connection, and inspiring engagement with passion and excitement.
Energized and visually striking, the new Dancing on the Edge-SFU Woodward’s work also alludes to multiple levels of loss
Drawing on the endless scroll of dance fragments online, the new work pushes into fresh territory for the troupe—as does Josh Martin’s new Helen Walkley solo, blocking
Vice-president says internal funding dried up, while 149 Arts Society director says it was hamstrung in its efforts to raise funds
University VP says “financial realities” mean the end of programming, commissioning, and presenting of new performances with dozens of Vancouver arts-group partners
Running May 2 to 12, fest also features nanekawâsis, Any Other Way: The Jackie Shane Story, Tea Creek, and Caravan Farm Theatre doc The Originals
Through chorus song, live guitar, and more, Haitian director’s Creole-French production navigates experiences of uprooted families, care of Théâtre la Seizième, PuSh Festival, and SFU Woodward’s Cultural Programs
Hypnotic serenity, adrenaline highs, pummelling feet, and piercing stares
With Caída del Cielo, dance star dives deep into her own soul, and vividly refreshes an art form
Marisa Gold reinterprets a mythical figure in The Queen of Carthage, while Stéphanie Brochard removes layers of Baroque dress in Atempor/elle
At Dancing on the Edge, an LED-lit spine exoskeleton and white funnel-shaped headpieces create an otherworldly aura
At Dancing on the Edge, new Soft Palate incorporates sculptural fabric headpieces, while Ecdysis features an LED-glowing exoskeleton
The Toronto-based dance artist draws on her own memories of immigrant women forming community for the 22-performer work
With expressive dance, eerie orchestrations, and stylized design, Astrolabe Musik Theatre performs an unsettling spin on the Pied Piper tale
The artist seeks out undercover assets, and draws on his own domestic life, for Three Sighs
Working with Idan Cohen and Leslie Dala, Heather Pawsey is finally ready to see composer George Benjamin’s reimagining of Pied Piper hit stage
In latest episode of Artscape podcast, the dance artist talks about FakeKnot’s new multidisciplinary production
La Singla searches for a lost flamenco star; A Way to B profiles the members of a daring disability-arts troupe; and Cheenee traces the history of Indian diaspora in Trinidad and Tobago
Ensemble piece takes its name from a traditional textile made of fibres from the leaves of pineapple plants
Caroline Shaw and Vanessa Goodman play with the tension between the human and the mechanical
CALTAC board member Alexandra Lainfiesta says this year’s focus is self-identification amid an incredibly diverse community
In latest podcast, ArtScape’s Michael Boucher speaks to dance artist Vanessa Goodman about her celebrated creation with Caroline Shaw
The hit musical’s story of survival and progress still speaks poignantly to displacement and migration in Canada today
Appearing at the Fei and Milton Wong Experimental Theatre, the solo is a deeply personal look at her lifelong relationship with dance
Latest episode of ArtScape podcast focuses on event that has screenings at the Goldcorp Centre for the Arts November 19 and 20
Latest episode of ArtScape podcast features talk with Sophia Mai Wolfe, artistic director of F-O-R-M
Hit klezmer-folk-fuelled musical now has an extended run from December 1 to 11
In the latest episode of the ArtScape podcast, SFUW’s Michael Boucher speaks to the fest about its programming and collaboration
Screening at Visions Ouest, this breezy French find has a surprising amount to say about the power of art to connect a divided society
In latest ArtScape podcast and video, Michael Boucher speaks to Ben Caplan about the hit show Old Stock: A Refugee Love Story, which returns here December 1 to 4
In the podcast and video here, SFUW’s Michael Boucher speaks to artistic director Jessica Gutteridge
Find SFU Goldcorp Centre for the Arts-SFU Woodward’s Cultural Programs at:
149 West Hastings Street
Vancouver