Squamish Lil'wat Cultural Centre's Spo7ez Winter Feast is a culinary and cultural journey, March 24
The experience includes a museum tour and intro to the photographic exhibition Unceded

Squamish Lil’wat Cultural Centre.
Squamish Lil’wat Cultural Centre presents Spo7ez Winter Feast on March 24 from 5:30 to 9 pm
THE SPO7EZ WINTER FEAST at Squamish Lil’wat Cultural Centre centres on a celebratory meal, but the evening features much more than a culinary experience.
The offering is among the ways the centre showcases the two First Nations communities that lived in the Whistler area prior to colonization and their living cultures. Spo7ez was a village shared by the Squamish Nation and and Lil’wat Nation at the confluence of Rubble Creek and the Cheakamus River at Function Junction in Whistler.
It all begins with a welcome song performed by the centre’s Cultural Ambassadors in regalia in the Great Hall. The expansive space houses a 40-foot-long Squamish hunting canoe, named X̲aays Transformer Brothers, which was carved from a single cedar tree. According to protocol, the vessel must be taken on an ocean journey every year to honour the spirit of the canoe.
The cultural leaders, who share dances and storytelling throughout the evening, then take guests on guided tour of the museum. This includes an introduction to UNCEDED: S7ULH TEMÍXW / TI TMICWKÁLHA / OUR LAND – A Photographic Journey into Belonging. Feautring photos of elders, youth, regalia, and more taken in spectacular settings throughout the Sea to Sky region, the show asks viewers to look at the world through a different lens on the shared territories of the Squamish Nation and Lil’wat Nation, which meet in Whistler. (See Stir’s feature article on UNCEDED here.)
The Spo7ez Winter Fest itself takes place in the Istken Hall, the name of a traditional underground pit house used by Lil’wat people in the past. The rooms were built into the earth, which maintains a more constant temperature than air, making them warm in winter and cool in summer.

Spo7ez Winter Feast.
On the Spo7ez menu are Indigenous-inspired dishes that incorporate traditional ingredients, like cranberry-rosemary Bannock; winter greens with pickled sea asparagus; roasted corn and bean salad; cedar-plank Arctic char with littleneck-clam beurre blanc; red-wine braised elk shank; and more. For dessert, there’s blueberry bannock pudding with berry compote and a Chantilly with xusem, or soap berries.
Wine for the night is from West Kelowna’s Indigenous World Winery, BC’s only 100-percent Indigenous-owned winery; Spirt Bear Coffee is a Port Coquitlam-based First Nations venture that offers 100-pure certified organic, fair-trade coffees as a way to celebrate Indigenous cultures.
The SLCC gift shop is open throughout the night, with exclusive hand-crafted Northwest Coast First Nations works, such as masks, scarves, mugs, jewllery, books, and more.
More information is here.
Related Articles
Both artists recognized for addressing land, politics, and economies
Surrey Art Gallery is launching its 50th anniversary with the touring exhibition Rajni Perera: Futures
The artist’s work draws equal inspiration from Sinclair Lewis’s 1920s novels and ’90s dystopian sci-fi flicks
Programs include the Community Award, BC Reconciliation Award, Indigenous Business Award, Polygon Award, and Sam Carter Award
Family photos, pictographs, and landscapes interweave in xʷəlməxʷ child
Copresented by PuSh Festival and Vancouver Art Gallery, the genre-bending work merges dance, new media, and video with immersive sound resonators
Solo exhibition centres the artist’s fascination with 20th-century popular culture using found objects and craft techniques
The organization cites financial challenges as the reason it’s ending after nine years
The country’s largest accolade for emerging visual artists comes with a $25,000 cash prize
Craft Council of BC exhibition centres vicarious trauma in response to the iMPACTS research project at McGill University
Works by Frank Stella, Robert Rauschenberg, William Kentridge, Beau Dick, Stan Douglas, and Jeff Wall amid $10-million collection
Krystle Silverfox, Natasha Katedralis, Fred Herzog amid the names showing at galleries and venues across Metro Vancouver
Transfixing acting and big ideas as film tracks an architect-refugee trying to rebuild in the U.S.
Five annual programs celebrate community leadership, applied art and design, First Nations art, Indigenous entrepreneurship, and reconciliation
Exhibition brings together works by Vancouver-based artist Katayoon Yousefbigloo and Portuguese collective A Maior
Event features launch of publication accompanying the exhibition Formline: Calligraphy, The Creative Synergy of Bill Reid and Bob Reid
The creator of murals, coins, stamps, and much more gave a human face to HIV, tirelessly raised money for charity, and brought vivid imagery to the city
Works by collective A Maior and multidisciplinary artist Katayoon Yousefbigloo draw inspiration from the myth-making potential of playing dress-up
The colourful artworks with sound capture the movement of water, light, wind, and air from seven key geographic sites in the city
Alternately chilling and humorous, experimental art from the Eastern Bloc spans installations, photography, and eerie ice blocks at Vancouver Art Gallery
Other members of the local arts community to be named include Emily Carr University president emeritus Ron Burnett and guitarist-educator Donald Alder
Tempered optimism from artists and others as VAG scraps old plans for a scaled-back building
At the Art Gallery at Evergreen and Burnaby Art Gallery, resource extraction is explored through large-scale copper weavings
Vancouver City Council approves a motion to relocate Ken Lum’s Monument to East Vancouver to a more accessible and visible spot
The local artist explores issues of identity, culture, and memory through photography
Amid surging construction costs, CEO and executive director Anthony Kiendl has announced the VAG is now exploring new options
Mail art and performance-art pioneer’s works will live on at Morris and Helen Belkin Art Gallery collection at UBC