The Cinematheque
Founded in 1972, The Cinematheque is a film institute and media education centre devoted to understanding the art and history of Canadian and international cinema and the impact of moving images and screen-based media in our lives. It houses a 155-seat cinema with film programming throughout the year.
Its public activities include a year-round calendar of curated film exhibitions devoted to important classic and contemporary films and filmmakers; and an array of community outreach programs offering interactive learning opportunities in film appreciation, filmmaking, media literacy, and critical thinking.
Cinephiles look forward to the organization’s compelling series, which have included such subjects as the movies of masters like Federico Fellini, Abbas Kiarostami, and Agnès Varda; British folk horror and film noir; and spotlights on Indigenous and queer filmmakers. Other curated offerings span national retrospectives, exclusive first runs, documentaries, and independent films.
The Howe Street facility values cinema as a communal and transformative experience. It’s committed to the importance of inclusivity and diversity in programming and to showcasing the finest achievements of local and national artists along with the best cinema from around the world.
The Cinematheque’s collections include a Film Reference Library housing thousands of film-related books and periodicals, and a West Coast Film Archive holding some 2,000 Canadian motion pictures, including a core collection of historically and artistically significant British Columbian works. The West Coast Film Collection is devoted to preserving the heritage of independent filmmaking on Canada's West Coast. Holdings include more than 200 significant B.C. films dating from 1968 to 1978 — the first major wave of independent and avant-garde filmmaking in the province. Most of the major artists who first shaped B.C.'s distinctive cinema are represented: Phillip Borsos, Tom Braidwood, Sturla Gunnarsson, Al Razutis, David Rimmer, Al Sens, Krik Tougas, Sandy Wilson, and many others. There’s also an impressive National Film Board Collection, consisting of more than 800 film titles produced from 1960 to 1985.
The Cinematheque also offers interactive programs that explore film and visual media, with courses for community groups, school-age kids, and members of the public. One program, called Reaching Out and run with Out on Screen, encourages young activists in Gender and Sexuality Alliances to produce and share high-quality videos aimed at making change.
The Cinematheque acknowledges that Vancouver is located on the unceded lands of the Coast Salish peoples, including the traditional territories of the Musqueam, Squamish, and Tsleil-Waututh First Nations.
Featuring film offerings from all 27 European Union members, festival opens with Hungary’s Some Birds and closes with Ukraine’s The Hardest Hour
The Cinematheque curator Sonja Baksa delivers a week of programming centred on celluloid witches, just in time for Halloween
Jean-Luc Godard’s principal collaborator introduces Vancouver audiences to Godard’s final film Scénarios, along with Goodbye to Language
Rita Hayworth and Alain Delon pair up for an opening-night sizzler featuring American noir classic Gilda and French neo-noir Le samouraï
Lineup features eight shadow-steeped works released in the 1940s and ’50s, spanning Gilda, To Have and Have Not, T‑Men, and more
Sofia Exarchou’s compelling and heartbreaking look at the performers hired to dance, sing, and run karaoke and bingo games for tourists
At the Cinematheque, Costa-Gavras's fast-paced masterpiece warns of the precarity of truth amid the rise of right-wing zealots
An ensemble cast sings its way through Chantal Akerman’s 1986 musical, Golden Eighties
French filmmaker probes themes of free will, psychopathy, and perversity in his two most recent works at The Cinematheque
Running May 2 to 12, fest also features nanekawâsis, Any Other Way: The Jackie Shane Story, Tea Creek, and Caravan Farm Theatre doc The Originals
The series opens with A Confucian Confusion and includes both Yi Yi and the epic A Brighter Summer Day
Seven films by the 1980s new-wave cinema figurehead, including A Confucian Confusion (1994) and Yi Yi (2000), screen throughout April
It’s the sometimes self-lacerating words and the visible emotions of Gabor Maté that viewers will remember of this exceptional documentary
If you’re of a certain disposition, there’s much pleasure to be extracted from a film like this
Rising Mexican filmmaker is attracting buzz for richly written characters and atmospheric use of camera and sound
The groundbreaking, still effortlessly cool film joins Godard’s final works in opening night for JLG Forever
Series features his epochal 1967 short Wavelength, plus a variety of rarely screened works
Following one engineering student’s experience, the documentary takes a close look at the personal fallout from the growing form of online harrassment
Spanish romantic comedy Ramona opens the festival, and Ukrainian comedy Luxembourg, Luxembourg closes
Masterful lineup includes P.P. Rider (1983), Typhoon Club (1985), and Sailor Suit and Machine Gun (1982)
The atomic lizard suffers a critical wounding from an organism made entirely of pollution in a monster marathon made for Halloween
Collaboration with the Morris and Helen Belkin Art Gallery higlights Itter’s exhibition, which includes archival multidisciplinary materials
Collection of films by Senegalese writer-director Ousmane Sembène oppose conformity
Work by The Biting School’s Aryo and Arash Khakpour incorporates a previous dance-and-theatre production of the same name
Beautiful characters and old-world enchantment make it a great introduction to a country’s cinema that has only recently been rediscovered by Western viewers
Robert Mitchum’s jaded P.I., Jane Greer’s enigmatic femme fatale, and a swirl of cigarette smoke
This year’s round-up features 12 masterpieces of the era, opening with The Maltese Falcon
The uncomfortably honest The Mother and the Whore and the autobiographical coming-of-age movie Mes petites amoureuses were the late, great director’s only two feature-length films
Burning, Poetry, Secret Sunshine, and more exquisite portraits of pain
Works profile a divinely gifted teen, an Athens sex worker, and a bracingly candid Olympia Dukakis
Find The Cinematheque at
1131 Howe Street
Vancouver BC
V6Z 2L7