Vancouver International Film Festival and VIFF Centre
#VIFFConnect
The not-for-profit Greater Vancouver International Film Festival Society operates both the internationally acclaimed Vancouver International Film Festival (VIFF) and year-round programming at the Vancity Theatre in the newly renovated Vancouver International Film Centre.
VIFF is among the five largest film festivals in North America. Showing films from more than 70 countries on nine screens, its program includes the pick of the world’s top film fests and many undiscovered gems.
Founded in 1982, the society relaunched the festival in a new form, after it had run between 1958 and 1969 before being discontinued. The society turned the fest into a public celebration of the best in contemporary Canadian and international cinema.
It encourages the understanding of the world’s cultures through the art of cinema, to foster the art of cinema, to facilitate the meeting in British Columbia of cinema professionals from around the world, and to stimulate the motion picture industry in British Columbia.
Three main programming platforms make its festival unique: it screens one of the largest selections of East Asian films outside of that region, it serves as one of the biggest showcases of Canadian film in the world, and it has a large and acclaimed documentary program.
Since 2016, it’s expanded to include curated screenings fused with related talks and events in a unique ‘film plus’ model. Drawing on a rich 36-year history of showcasing innovation in film, television, and digital media, the new VIFF now encompasses interactive screen-based experiences, talks, sessions and events with leaders in creative industries. The multifaceted programming is designed to educate and inspire public and industry attendees alike.
Meanwhile, the Vancity Theatre at the Vancouver International Film Centre was opened in 2005 to screen some of the best festival films from around the world on a year-round basis. The fest, which runs in cinemas around the city, also bases itself out of the headquarters at 1181 Seymour Street.
Its main 175-seat theatre was designed to please true cinephiles, with state-of-the-art projection and sound systems, a giant screen, and plush seats.
The Vancouver International Film Centre recently underwent a $2.8 million renovation that boasts a new 41-seat Studio Theatre, a dedicated Education Suite, a New Media Lab aimed at virtual-reality and augmented-reality creations, and a redesigned atrium. It was designed by Vancouver-based mcfarlane biggar architects + designers.
London’s National Gallery hosts the U.K.’s biggest-ever exhibition honouring Vincent van Gogh, one of history’s most beloved artists
Boldly pushing the documentary form, Vancouver director tracks a story that involved guns, drugs, money laundering, child abuse, and even murder
Inay (Mama) wins the Arbutus Award for best B.C. film; Summit award for best Canadian film goes to Universal Language
Another highlight of the series on the same date features Shōgun VFX supervisor Michael Cliett
Lively, detective-like documentary reveals how Kwakwa̱ka̱ʼwakw and Yup’ik ceremonial masks found their way into the hands of Surrealist masters—and new attempts to repatriate them
Quick takes on Brief History of a Family, Anora, Viva Niki, and Who by Fire, plus documentaries about everything from design mavericks to Haida logging protests to the children of overseas nannies
At VIFF, she dramatizes ex-boyfriend Chester Brown’s graphic novel about his explorations in hiring sex workers—while still living with the then-VJ
The Chef & the Daruma gets to the heart of the acclaimed culinary artist’s inspirations
Slumdog Millionaire composer joins the Vancouver Symphony Orchestra at Vancouver International Film Festival keynote event
Vancouver Island’s Ari Kinarthy wrote the score and stars in a screening event that memorializes his life
*smiles and kisses you*, Grand Theft Hamlet, and Real offer moving and unsettling views of how we attempt to heal ourselves as part of the Spectrum series
Screenings taking place from September 26 to October 6 include Luther: Never Too Much, Disco’s Revenge, So Surreal: Behind the Masks, and nine others
Canadian highlights include Oscar contender Universal Language, The Tragically Hip: No Dress Rehearsal, and Mexican closer Emilia Pérez
Agnieszka Holland’s new film focuses on the zone between Belarus and Poland, where refugees are stuck in a deadly political battle
Nothing is that simple in Wei Shujun’s film, the latest from one of the rising stars of international cinema
Premiering at VIFF Centre and the Squamish Lil'wat Cultural Centre, remarkable film about the dark legacy of Williams Lake institution wields quiet power
Films focused on colour, sound, and spectacle span Amélie, Speed Racer, The Matrix, and dozens more
At fest September 26 to October 6, Jeremy Dutcher, Eiko Ishibashi, and more on deck for screening-and-performance VIFF Live series, curated by Jarrett Martineau
Urban Ink artistic director to present his 2023 film Les Filles du Roi along with Wildhood, Bones of Crows, and Hey Viktor!
New documentary profiles Marilyn Farquhar’s struggle to memorialize her brother, B.C. homeless activist Barry Shantz
Homage to Arthur Erickson will feature rare screenings of documentaries and Hollywood features, plus dialogues with architects and filmmakers
“Introduction” brings lo-fi camp, “Everlasting” documents Vancouver’s Wing Sang history, “Tiger by the Tail” delivers disco-happy raunch, and “In the Heat” is a deadpan-dark Santa cartoon
With sweeping scope, documentary at VIFF Centre blends styles to track respected Indigenous astronomer’s journey
Vocalist Shruti Ramani sings for the band that draws upon the raga
Additional screenings of Food, Inc. 2, A Difficult Year, and Silvicola will be shown throughout late April at the VIFF Centre
Running May 2 to 12, fest also features nanekawâsis, Any Other Way: The Jackie Shane Story, Tea Creek, and Caravan Farm Theatre doc The Originals
Nina and the Hedgehog’s Secret headlines a schedule of eight features, 35 shorts, and much more at R2R
The NFB’s chilling documentary reminds us that a society is measured by the compassion it extends to its most vulnerable
Aunjanue L. Ellis-Taylor stars in a triumphant and unusual adaptation of Isabel Wilkerson’s book, Caste: The Origins of Our Discontents
Film scholar introduces six Screwball Comedy films to audiences with talks about the genre and its most famous artists